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Karajan Forever The Greatest Classical Hits |
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영원한 카라얀 CD 1 (2003 DG)
Herbert von Karajan (1908-1989)
1. Ⅰ. Allegro - CD 1 Track 전곡 연주 |
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Album Title: Karajan Forever: The Greatest Classical Hits
Performer: Horst Gobel, David Bell [Organ], Pierre Cochereau, Wolfgang Meyer, Wolfgang Sebastian Meyer [Keyboard], Lazar Berman, Eberhard Finke, Karlheinz Zoeller, Michel Schwalbe
Orchestra: Berlin Philharmonic Orchestra (Berliner Philharmoniker)
Conductor: Herbert von Karajan (1908-1989)
Composer: Antonio Vivaldi, Tomaso Albinoni, Pyotr Il'yich Tchaikovsky), Wolfgang Amadeus Mozart, Edvard Grieg, Jean Sibelius, Antonin Dvorak, Franz Schmidt, Georges Bizet, Maurice Ravel, Giuseppe Verdi, Camille Saint-Saens, Richard Strauss, Pietro Mascagni, Johann II [Junior] Strauss, Johann Sebastian Bach, Jules Massenet, Jacques Offenbach, Gustav Mahler, Sergey Prokofiev, Remo Giazotto, Christoph W. Gluck
Audio CD (June 10, 2003) [Original recording remastered]
SPARS Code: ADD
Number of Discs: 2
Recorded in: Stereo
Format: Original recording remastered
Label: Deutsche Grammophon (DG-USA)
Copyright: (C) 2003 Deutsche Grammophon GmbH, Hamburg
Total Length: 2:34:36
Genres: Classical. |
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CD 1 : Total Playing Time [1:16:47]
Conductor Herbert von Karajan (1908-1989)
Orchestra Berlin Philharmonic Orchestra
1. Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269: Spring 1. Allegro (3:25)
Common Name La Primavera, Violin Concerto For Violin Strings & Continuo The Four Seasons
Composer Antonio Vivaldi (1678 - 1741)
Performer Horst Göbel (Harpsichord)
Eberhard Finke (Cello)
Michel Schwalbé (Violin)
Genre Baroque Period / Concerto
Date Written circa 1725; Venice, Italy
Period Baroque
Country Italy
Venue St. Moritz, French Church
Recording Date 08/1972
Notes This selection is an ADD recording.
2. Adagio for Organ and Strings & organ (previously attributed to Tomaso Albinoni) in G minor (11:46)
Composer Tomaso Albinoni: Remo Giazotto (1910 - 1998)
Performer Leon Spierer (Violin)
David Bell (Organ)
Period Baroque
Date Written Venice, Italy
Date of Recording 09/1983
Venue Philharmonic Hall, Berlin, Germany
Notes This selection is a DDD recording. This work was reconstructed by Remo Giazotto in 1945 from a fragment by Albinoni.
3. Serenade for strings (or piano duet, 4 hands) in C major, Op. 48: Waltzer: 2. Moderato (Tempo di valse) (4:09)
Common Name Valse, Serenade For Strings Or Piano 4 Hands
Composer Peter Il'yich Tchaikovsky (1840 - 1893)
Period Romantic
Country Russia
Date Written 1880; Russia
Date of Recording 09/1980
Venue Philharmonic Hall, Berlin, Germany
Notes This selection is a DDD recording.
4. Divertimento No. 17 for 2 horns & strings in D major, K. 334 (K.320b): Menuetto - Trio - Menuetto (5:22)
Common Name Menuetto, Divertimento 17 For 2 Horns & Strings
Composer Wolfgang Amadeus Mozart (1756 - 1791)
Period Classical
Date Written 1779-1780; Salzburg, Austria
Date of Recording 04/1987
Venue Philharmonic Hall, Berlin, Germany
Notes This selection is a DDD recording. (Orchestral Version)
Work Notes Composition written: 1779. Composition revised: Germany.
5. Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46: 1. Prelude "Morning mood" (4:05)
Composer Edvard Grieg (1843 - 1907)
Period Romantic
Country Norway
Date Written 1874-1875/1888; Norway
Date of Recording 1982
Venue Philharmonic Hall, Berlin, Germany
Notes This selection is a DDD recording.
6. Valse Triste, for orchestra (from Kuolema), Op. 44 No. 1 (6:00)
Common Name Valse Triste For Orchestra
Composer Jean Sibelius (1865 - 1957)
Period Post-Romantic
Country Finland
Date Written 1903-1904; Finland
Date of Recording 02/1984
Venue Philharmonic Hall, Berlin, Germany
Notes This selection is a DDD recording.
7. Symphony No. 40 in G minor, K 550: 1. Molto Allegro (7:19)
Common Name Symphony 40
Composer Wolfgang Amadeus Mozart (1756 - 1791)
Period Classical
Country Austria
Date Written 1788; Vienna, Austria
Date of Recording 02/1977
Venue Philharmonic Hall, Berlin, Germany
Notes This selection is an ADD recording.
8. Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5): 2. Largo (4:56)
Common Name From The New World Symphony, Symphony No 9
Composer Antonín Dvorák (1841 - 1904)
Period Romantic
Date Written 1893; USA
Date of Recording 03/1964
Venue Jesus Christ Church, Berlin, Germany
Notes This selection is an ADD recording. (Excerpt/Beginning of mvt)
Work Notes Composition written: 01/10/1893-05/24/1893. Composition revised: United States of America.
9. Notre Dame, opera: Act 1 Intermezzo (4:30)
Composer Franz Schmidt (1874 - 1939)
Period Romantic (Modern)
Country Austria
Date Written 1902-1904 (1904-1906); Austria
Date of Recording 09/1967
Venue Jesus Christ Church, Berlin, Germany
Notes This selection is an ADD recording.
10. Carmen Suites for orchestra Nos. 1 & 2 (assembled by Ernest Guirard): Act 1. Prélude Ⅰ. "Les toréadors" (Allegro giocoso) (2:18)
Common Name Prelude I, Carmen Suites For Orchestra
Composer Georges Bizet (1838 - 1875)
Period Romantic
Date Written 1873-1874 (1875); France
Date of Recording 09/1982
Venue Philharmonic Hall, Berlin, Germany
Notes This selection is a DDD recording.
Work Notes Composition written: 1875. Composition revised: Spain.
11. Boléro, ballet for orchestra (or piano): Finale - Conclusion (5:40)
Composer Maurice Ravel (1875 - 1937)
Period Modern; 20th Century
Country France
Date Written 1928; France
Date of Recording 12/1985
Venue Philharmonic Hall, Berlin, Germany
Notes This selection is a DDD recording. (Different version)
12. The Sleeping Beauty, suite for orchestra, Op. 66a: Valse (4:17)
Common Name Valse, The Sleeping Beauty Suite For Orchestra
Composer Peter Il'yich Tchaikovsky (1840 - 1893)
Period Romantic
Country Russia
Date Written 1889-1890; Russia
Date of Recording 01/1971
Venue Jesus Christ Church, Berlin, Germany
Notes This selection is an ADD recording.
13. La Traviata, opera: Prelude to Act Ⅲ (4:25)
Common Name Prelude To Act Iii, La Traviata Opera
Composer Giuseppe Verdi (1813 - 1901)
Period Romantic
Date Written 1853; Italy
Date of Recording: 09/1967
Venue Jesus Christ Church, Berlin, Germany
Notes This selection is an ADD recording.
Work Notes Composition written: 1853. Composition revised: Italy.
14. Symphony No. 3 in C minor ("Organ Symphony"), Op. 78: 2b. Maestoso - Più allegro - Molto allegroo "Finale" (8:27)
Common Name Organ Symphony, Symphony 3
Composer Camille Saint-Saëns (1835 - 1921)
Performer Pierre Cochereau (Organ)
Period Romantic
Country France
Date Written 1886; France
Date of Recording 09/1981
Venue Philharmonic Hall, Berlin, Germany
Notes This selection is a DDD recording.
CD 1 Track
1. 비발디: 사계 중 봄 1악장 알레그로
2. 알비노니: 아다지오 사단조
3. 차이코프스키: 현을 위한 세레나데 다장조 Op. 48, 2악장 Waltzer: Moderato (Tempo di valse)
4. 모짜르트: 디베르멘토 (기분전환곡) No. 17 라장조 K. 334: Menuetto - Trio - Menuetto
5. 그리그: 페그궨트 No. 1, Op. 46: 1악장. Prelude "Morning mood"
6. 시벨리우스: 가극 쿠올레마 Op. 44 중 1번 슬픈 왈츠
7. 모짜르트: 교향곡 40번 사단조 K. 550, 1악장 Molto Allegro
8. 드보르작: 교향곡 9번 신세계로부터, 마단조 B. 178 (Op. 95) 중 2악장 라르고
9. 슈미트: 오페라 노트르담 1막 간주곡
10. 비제: 카르멘 중 1막 Prélude Ⅰ. "Les toréadors" (Allegro giocoso)
11. 라벨: 볼레로 중 Finale - Conclusion
12. 차이코프스키: 잠자는 숲속의 공주 Op. 66 중 왈츠 (Valse)
13. 베르디: 오페라 라 트라비아타 3막 중 Prelude
14. 생상: 교향곡 3번 다단조 Op. 78 - Maestoso - Più allegro - Molto allegroo "Finale"
카라얀, 그 불멸의 이름이여!
카라얀-베를린 필이 이룩한 역사적 명연이 다시한번 부활합니다.
총 29곡의 그 어떤 하나도 그냥 지날칠 수 없는 카라얀의 음악적 업적이 고스란이 드러있는 최고의 결정체라 할 수 있습니다.
이번의 Karajan Forever - The Greatest Classical Hits 을 통해서 그동안 숨겨져 있던 보석을 다시한번 회원 여러분께 소개해드리는 좋은 기회가 되었으면 합니다.
최고의 음질과 리마스터링을 통해 이전에 들어보았던 카라얀의 명성 이상의 음반이 되리리 확신합니다. |
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Berlin Philharmonic Orchestra (Berliner Philharmoniker)
by Corie Stanton Root
In a city of rich cultural and artistic history, the Berlin Philharmonic Orchestra is the most outstanding of Berlin's three excellent orchestras. A democratic, self-governing organization, members choose the resident conductor, orchestra manager and new orchestra members (after a one-year probation) by vote of the membership at large. Members with ten years' seniority are eligible for pension benefits. Performing approximately 100 concerts a year, the Berlin Philharmonic tours internationally and generates most of its operating capital through ticket sales and revenue from its extensive broadcasting and recording contracts. Several significant ensembles including the Brandis and Westphalian string quartets, the Philharmonic Octet and the Twelve Philharmonic Cellists are made up from the Berlin Philharmonic's one hundred fourteen members. Internationally acclaimed for its polished performances and the high standard of musicianship among its members, the Berlin Philharmonic is one of Europe's most distinguished ensembles.
Founded in 1862 by Benjamin Bilse under the name Bilsesche Kapelle (Bilse's Band), the original sixty-member ensemble gained popularity and played more than 3000 concerts during the next twenty years. Renamed and reorganized under the financial management of Hermann Wolff in 1882, the Berlin Philharmonic Orchestra chose Ludwig von Brenner as principal conductor. Although von Brenner made significant improvements in the group's musicianship, it was Hans von Bülow who set the ensemble on its course of artistic excellence. Beginning his five-year tenure as principal conductor in 1887, von Bülow concentrated on classical and romantic repertoire and insisted on the highest musical standards. He also attracted world-renown guest conductors such as Tchaikovsky, Brahms and Strauss and supervised the renovation of the orchestra's home venue; a converted roller skating rink. Due to ill health, von Bülow resigned his position in 1892. The Philharmonic played at his funeral ceremony in February 1894.
Over the next several years, Wolff engaged a series of popular guest conductors including Hans Richter and Richard Strauss. Then in 1895, Hungarian-born Arthur Nikisch was chosen as resident conductor and led the Berlin Philharmonic to its well-earned reputation as the most respected touring orchestra in Europe. His choice of romantic repertoire and his expressiveness on the podium brought out the lyrical qualities for which this ensemble became famous.
Soon after Nikisch's death in 1922, the reins of leadership were given to Berliner Wilhelm Furtwängler who continued in Nikisch's musically romantic footsteps even in the face of the difficult times brought about World War I, the Weimar Republic and the rift between the romantic and avant-garde schools of composition. He devoted a large portion of the orchestra's concerts to the works of Beethoven, Brahms, Schubert and Richard Strauss with his interpretation of Beethoven's Eroica receiving special acclaim. Over the next two decades, Furtwängler debuted works by the likes of Debussy, Stravinsky, Prokofiev and Schoenberg. The orchestra toured extensively during his reign and welcomed world-famous guest conductors such as Bruno Walter, Oskar Fried and Otto Klemperer. Important soloists were also a regular feature during this period and included such luminaries as Paul Hindemith and Yehudi Menuhin who made his professional debut with the Philharmonic at the age of twelve.
Difficult economic times came after the world-wide financial crash in 1929 but the ensemble was able to survive through subsides from the city of Berlin, the German government and the Berlin Radio Network. More problems came with Hitler's rise to power. Furtwängler's public support of Hindemith brought him in direct conflict with Georges Goebbels, Propaganda Minister for the new regime. As a result, Furtwängler resigned his post as principal conductor but returned to the podium in March 1935, taking a stand for artistic excellence over political rancor. Further hardship was visited on the Philharmonic when its home venue was destroyed by a bomb in January, 1944. Performing in borrowed spaces, the orchestra continued even after the beloved Furtwängler was detained during the political vindication proceedings which took place after Hitler's fall in 1945. Leo Borchard was named resident conductor in May 1945 but was shot and killed by an Occupation soldier three months later. Sergiu Celibidache was chosen to follow Borchard and was widely acclaimed for his inclusion of contemporary repertoire, much of which had been banned during Hitler's reign. When Furtwängler was finally released in 1947, he and Celibidache shared the Berlin Philharmonic's podium until Furtwängler's death in 1954.
Despite Celibidache's considerable abilities as a conductor, the members of the Philharmonic chose Herbert von Karajan as resident conductor in 1955. This was due, in large part, to von Karajan's well established reputation as the conductor of the Symphony Orchestras in London and Vienna and to his openness to the recording industry. Celibidache had refused all recording offers during his tenure and this did not sit well with many of the orchestra's members. The musical foundation of von Karajan's long and illustrious association with the Berlin Philharmonic was based on the major Classical and Romantic symphonies but was liberally peppered with significant twentieth-century works. Under his leadership, the orchestra toured and recorded extensively which brought the ensemble world-wide recognition. At home, the Philharmonic began construction of a new concert hall in1963. Designed by architect Hans Scharoun, the orchestra's home venue near Berlin's Brandenburg Gate seats two thousand audience members and contains an impressive Schuke organ. Von Karajan also began the orchestra's tradition of committing five performances each season to twentieth-century music which has given the Berlin Philharmonic the honor of premiering dozens of important contemporary works.
Herbert von Karajan died in 1989, ending his nearly thirty-five year tenure as the Philharmonic's beloved resident conductor. Late in that same year, Claudio Abbado was chosen to continue the Berlin Philharmonic's tradition of musical excellence and polished performance and lead this world-renown orchestra into the twenty-first century.
 잘생긴 꾀꼬리 꽃미남 리차드강 어리버리 돈키호테.
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