클래식

쇼팽 피아노 협주곡 1번 마단조, Op. 11 - Claudio Arrau (2011 ICA Classics)

리차드 강 2013. 5. 26. 06:47

Chopin Piano Concerto No.1 Op.11 in E Minor

쇼팽 피아노 협주곡 1번 마단조, Op. 11

Fryderyk Franciszek Chopin 1810-1849

1. Ⅰ. Allegro maestoso - 전악장 연주

Claudio Arrau, piano

     
   

Chopin

Album Title: Claudio Arrau: Chopin Piano Concerto No. 1

Composer: Frédéric Chopin (1810 - 1849)
Conductor: Otto Klemperer
Performers Claudio Arrau (Piano)
Orchestras: Cologne Radio Symphony Orchestra (Kolner Rundfunk-Sinfonie-Orchester)

Recording Date: October 25. 1954 (Saal 1, Funkhaus, Cologne,)
Audio CD (November 01. 2011)
Number of Discs: 1
Label: ICA Classics
Genre: Concertos

     

     

   Piano Concerto No. 1 in E minor, Op. 11  (40:22)

   Common Name   Piano Concerto 1 Ct 47
   Composer   Frédéric Chopin (1810 - 1849)
   Conductor   Otto Klemperer
   Performer   Claudio Arrau (Piano)
   Orchestras   Cologne Radio Orchestra
   Genre   Concerto / Romantic Period
   Date Written   1830
   Period   Romantic
   Country   Poland
   Venue   Saal 1, Funkhaus, Cologne
   Recording Date   October 25. 1954

1. Ⅰ. Allegro maestoso
2. Ⅱ. Romanza: Larghetto
3. Ⅲ. Rondo: Vivace

20:21
10:49
09:24

     

     

Review

Chilean pianist Claudio Arrau (1903 - 1991) was described at various times as 'Prince', 'Emperor' and 'King' of the keyboard, conveying something of the awe in which he was held.

Few artists of any generation prompted such consistent praise, a pianist who embraced virtually every part of the repertoire, including marathon cycles of Bach, Mozart, Beethoven, Schubert, Chopin and Liszt.

Both these broadcast recordings are sourced from the original WDR tapes and not from dubious copies (Chopin Concerto) and have been remastered to a very high standard. In Chopin's E minor Concerto, Arrau is partnered by Otto Klemperer, another legendary titan in this rare 1954 recording.

Here they create a musical place where there is no sense of an early lightweight alternative to Chopin's later works. Critic Jed Distler wrote: "There is an emotional freshness and freedom from cliches that draws me into the playing, particularly in the vibrancy and note-to-note intensity of his best live performances. Idealised or not, Arrau's playing boasts a vibrancy and forward-moving sweep that sharply contrasts to his relatively measured studio recording".

The Beethoven Piano Concerto No.4 shows Arrau playing with great freedom in this 'live' account from 1959 following his first studio recording in 1955. This recording appears for the very first time on CD.

     

     
     

잘생긴 꾀꼬리 꽃미남 리차드강 어리버리 돈키호테.