예리고의 장미: 중세노래집 (퀠른의 안나) - Ars Choralis Coeln

Rose Van Jhericho (Liederbuch der Anna von Koln) 예리고의 장미: 중세노래집 (퀠른의 안나) Das Liederbuch der Anna von Köln (um 1500) 1. Laist ons syngen ind vroelich syn Rose van Jherico: The Song Book of Anna of Cologne Performer: Maria Jonas            Petra Koerdt            Pamela Petsch            Cora Schmeiser            Uta Kirsten            Katherine Hill            Lucia Mense            Stefanie Brijoux            Amanda Simmons            Karolina Brachmann Composer: German Anonymous, German chorale Traditional, VARIOUS Audio CD (June 26, 2007) SPARS Code: DDD Format: Import Label: Raum Klang Rose van Jherico: The Song Book of Anna of Cologne 1. Laist ons syngen ind vroelich syn, song 2:20  Composed by Anonymous, German  Performed by Maria Jonas, Susanne Ansorg, Johanna Seitz, Ars Choralis Coeln and Elisabeth Seitz 2. Nu hoirt nu hoirt all wonder, song 3:00  Composed by Anonymous, German  Performed by Maria Jonas, Johanna Seitz, Lucia Mense, Ars Choralis Coeln and Elisabeth Seitz 3. Te celi reginam, chorale 3:44  Composed by Traditional German chorale  Performed by Ars Choralis Coeln and Petra Koerdt 4. Ich grois dich gerne, song 8:35  Composed by Anonymous, German  Performed by Maria Jonas, Susanne Ansorg and Ars Choralis Coeln 5. Mit vrouden quam der engel, song 6:06  Composed by Anonymous, German  Performed by Maria Jonas, Susanne Ansorg, Johanna Seitz, Ars Choralis Coeln, Pamela Petsch, Cora Schmeiser and Elisabeth Seitz 6. Ich sachs eins mals (I once Saw It), song (from the Glogauer Liederbuch) 2:34  Composed by Anonymous, German  Performed by Susanne Ansorg, Johanna Seitz, Ars Choralis Coeln and Elisabeth Seitz 7. Puer natus in Bethleem, chorale 3:07  Composed by Traditional German chorale  Performed by Ars Choralis Coeln and Uta Kirsten 8. Jure plaudant omnia, chorale 1:02  Composed by Traditional German chorale  Performed by Lucia Mense and Ars Choralis Coeln 9. In dulci jubilo, chorale 3:33  Composed by Traditional German chorale  Performed by Katherine Hill, Susanne Ansorg, Johanna Seitz, Lucia Mense, Ars Choralis Coeln, Pamela Petsch and Elisabeth Seitz 10. In Feuers Hitz, song 1:36  Composed by Anonymous, German  Performed by Susanne Ansorg, Johanna Seitz, Lucia Mense, Ars Choralis Coeln and Elisabeth Seitz 11. Heir bouen in myns vaders rych, song 3:40  Composed by Anonymous, German  Performed by Maria Jonas, Lucia Mense and Ars Choralis Coeln 12. Rose van Jhericho, song 2:16  Composed by Anonymous, German  Performed by Lucia Mense, Ars Choralis Coeln, Pamela Petsch and Cora Schmeiser 13. O laist ons vroelich syngen, song 3:15  Composed by Anonymous, German  Performed by Maria Jonas, Susanne Ansorg, Johanna Seitz, Ars Choralis Coeln, Stefanie Brijoux, Cora Schmeiser and Elisabeth Seitz 14. Elend, du hast umfangen mich, song 3:31  Composed by Anonymous, German  Performed by Susanne Ansorg, Johanna Seitz, Ars Choralis Coeln and Elisabeth Seitz 15. Audi tellus, chorale 3:43  Composed by Traditional German chorale  Performed by Maria Jonas, Katherine Hill, Ars Choralis Coeln and Amanda Simmons 16. Stetit ihesus coram pylato, chorale 3:48  Composed by Traditional German chorale  Performed by Katherine Hill and Ars Choralis Coeln 17. Mater sancta, dulcis Anna, chorale 5:29  Composed by Traditional German chorale  Performed by Lucia Mense, Ars Choralis Coeln and Cora Schmeiser 18. O dulcissime ihesu, chorale 6:43  Composed by Traditional German chorale  Performed by Ars Choralis Coeln and Karolina Brachmann 19. Ave Dei genitrix, hymn (from the Glogauer Liederbuch) 2:43  Composed by Anonymous, German  Performed by Susanne Ansorg, Johanna Seitz, Ars Choralis Coeln and Elisabeth Seitz 20. Wail up, ich moes van hynnen, song 6:45  Composed by Anonymous, German  Performed by Ars Choralis Coeln Rose Van Jhericho (Liederbuch der Anna von Koln) 쾰른의 안나가 남긴 노래집은 중세 후기 라인강변 지역의 영성적, 문화적 삶을 드러내는 가장 중요한 음악문헌이며, 그 영역은 라틴어 찬가에서 사육제 노래의 콘트라팍타(contrafacta)에 이른다. 요나스가 지휘하는 아르스 코랄리스 쾰른은 그중에서 ‘성스러운 여관주인’ 예수 그리스도와 ‘예리고의 장미’ 성모 마리아를 가장 신비적으로 그려낸 아름다운 노래를 가려뽑아 가혹한 운명의 수레바퀴 밑에서도 영원한 왕국의 행복을 그렸던 중세시대 민중, 특히 여성들의 진솔한 감정을 그리고 있다. 여성 앙상블의 간소한 노래와 마음에 울림을 남기는 섬세한 기악 반주에서 시공을 초월한 사람들의 보편적인 감정을 느낄 수 있는 좋은 중세 노래집 음반이다. Rose Van Jherico - The Song Book Of Anna Of Cologne / Jonas This collection of devotional songs in Latin and the vernacular (indeed, in several medieval dialects) was compiled about 1500 in Cologne, an example of devotio moderna, the late-medieval movement to adopt a lifestyle midway between secular society and the religious orders. The title of the disc, “the rose of Jericho,” refers to a Macaronic song in low German and Latin honoring the Blessed Virgin, who was invariably venerated while her Son was worshipped. A few of these songs have appeared in collections of the LP era. Konrad Ruhland’s group sang “Jure plaudant omnia,” included here. Several other songs recorded in that era are not duplicated here, but this seems to be the first focused collection drawn from this source. Late-medieval collections of anonymous vocal music of this type have been largely overlooked in music history courses and texts in favor of identifiable composers. Reinhard Strohm, in The Rise of European Music, 1380–1500 (Cambridge, 1993), made a major breakthrough in devoting the entire Part 3 of his four-part book to the subject. The Songbook of Anna of Cologne (D-B 8o 280) has been edited by Salmen and Koepp (Schwann, 1954), so it should be accessible at least to performers and scholars. Even so, Strohm barely mentions the collection in a paragraph devoted to 15th-century compilations of this type, next to the slightly earlier Wienhäuser Liederbuch, which was given a whole disc on a Psallite LP of 1976. The 16 songs from this source that are recorded here make a delightful program. All are sung by the women’s group of 11 singers and five players, while four instrumental selections from the Glogauer and Locheimer songbooks are inserted at intervals. Some of the songs are sung solo, and some are lightly accompanied on period instruments. The acoustics of the chapel cast a warm glow around the voices. Anonymity is a burden, as evident from the attention devoted to composers (Perotinus) and works (the “Farewell” symphony of Haydn) not so disabled. Anyone who comes across this disc is going to be entranced by the unexpected pleasure that it affords. Give it a chance and you’ll turn back to it again and again. The last time I was so unexpectedly delighted was on hearing “Ninna Nanna” by Montserrat Figueras (26:6). That’s the kind of disc it is. J. F. Weber 잘생긴 꾀꼬리 꽃미남 리차드강 어리버리 돈키호테.