앨범: 히트곡으로 되돌아본 바흐 - The Swingle Singers (1994 Virgin Records)

Bach hits Back: A New A Cappella Tribute 앨범: 히트곡으로 되돌아본 바흐 The Swingle Singers (1994 Virgin Records) 1. Chorale: Ein' feste Burg - Track 전곡 연주 Album Title: Bach hits Back: A New A Cappella Tribute Composer: Johann Sebastian Bach (1685 - 1750) Performer: Helen Massey (Soprano)                  Deryn Edwards (Soprano)                  Linda Stevens (Alto)                  Heather Cairncross (Alto)                  Andrew Bushner (Tenor)                  Jonathan Rathbone (Tenor)                  Ben Parry (Bass)                  David Porter Thomas (Bass) Ensemble: The Swingle Singers (a capella choir)                  Ward Swingle Audio CD (1994) Recording Date: May 1991 Number of Discs: 1 Label: Virgin Records Us Copyright: (c) 1994 Virgin Records Total Time: 53:25 Genre: Classical, Easy Listening, Jazz Styles: Choral, Classical Pop, Vocalese, Vocal Jazz      Composer   Johann Sebastian Bach (1685 - 1750)    Ensemble   The Swingle Singers (1963 - present)    Period   Baroque    Notes   Arranged: Ben Parry and John Rathbone 1. Cantata No. 80, "Ein' feste Burg ist unser Gott," BWV 80 (BC A183): Chorale: Ein' feste Burg   (1:07)    Lyricist   Anonymous 2. Fantasia and Fugue, for organ in G minor ("Great"), BWV 542 (BC J42, 57, 67): Organ Fugue   (2:40)    Written   1708-1717; Weimar, Germany 3. The Well-Tempered Clavier, Book 2, BWV 870 - 893: Prelude and Fugue, for keyboard Prelude No. 18 in G sharp minor, BWV 863 (BC L97)   (2:59)    Common Name   Prelude XVIII from Das Wohltemperirte Clavier    Written   1722; Cöthen, Germany    Note   feat. Deryn Edwards, Helen Massey 4-5. Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) (excerpts)    Lyricist   Philipp Nicolai 4. Chorale: prelude From Cantata No.140 "Wachet Auf!" (Sleepers, Wake!): Ⅳ. Zion hort die Wachter singen   (3:15)    Written   1731; Leipzig, Germany 5. Chorale: from Wachet Auf!: Gloria sei dir gesungen   (1:27)    Written   circa 1748-1749; Leipzig, Germany 6. Chorale: Liebster Jesu, wir sind hier, chorale setting for 4 voices, BWV 373 (BC F133)   (2:03)    Lyricist   Anonymous    Written   1708-1717; Weimar, Germany    Notes   feat. Heather Cairncross, Linda Stevens 7. In dulci jubilo (Ⅰ), chorale prelude for organ (Orgel-Büchlein No. 10), BWV 608 (BC K37)   (1:57)    Lyricist   Anonymous    Written   1708-1717; ?Weimar, Germany 8. In dulci jubilo, chorale setting for 4 voices, BWV 368 (BC F110)   (1:13)    Arranger   Jonathan Rathbone, Ben Parry 9. Sonata for solo violin No. 2 in A minor, BWV 1003: Ⅲ. Andante   (3:37)    Common Name   Andante from Sonata No. 2 for unaccompanied violin    Written   1720; Cöthen, Germany 10. Brandenburg Concerto No. 3 in G major, BWV 1048: Ⅰ. Allegro   (2:44)    Common Name   First Movement from Brandenburg Concerto    Written   1711-1713; ?Weimar, Germany     11. Cantata No. 208, Was mir behagt, ist nur die muntre Jagd!, (Hunt Cantata), BWV 208 (BC G1, G3): Ⅸ. Aria for Soprano: Schafe können sicher weiden (Sheep May Safely Graze)   (4:07)    Lyricist   Salomo Franck    Written   1713; Cöthen, Germany 12. Overture (Orchestral Suite) No. 2 in B minor, BWV 1067: Ⅶ. Badinerie   (1:17)    Written   Leipzig, Germany    Arranger   Ward Swingle    Notes   Arranged: Ward Swingle/Composition written: Leipzig, Germany (1738 - 1739). 13. The Well-Tempered Clavier (24), collection of preludes & fugues, Book I, BWV 846-869 (BC L80-103): Fugue VIII   (2:06)    Common Name   Fugue VIII from Das Wohltemperirte Clavier, BWV 877    Written   1722; Cöthen, Germany 14. Three-Part Invention (15) (Sinfonia), for keyboard, BWV 787-801: Excerpt(s): No. 11 in G minor, BWV 797 (BC L52)   (2:51)    Written   1723; Cöthen, Germany 15. Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): 18. Et resurrexit   (2:42)    Written   1747-1749; Leipzig, Germany    Note   arranged for a capella choir 16. The Notebook of Anna Magdalena Notenbuch Bach (Clavier-Buchlein Ⅲ), aria arranged for voice & continuo, BWV 508: Aria for Soprano: Bist du bei mir   (2:52)    Lyricist   Gottfried Heinrich Stölzel    Notes   This work, formerly attributed to J.S. Bach, is currently believed to have been composed by Gottfried Heinrich Stölzel. 17. St. Matthew Passion, for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part Ⅰ: No. 8: Aria for Soprano: Blute nur, du liebes Herz   (3:39)    Common Name   Matthäus-Passion BWV 244    Written   ?1727; Leipzig, Germany    Note   adapted to vocal ensemble 18. Fugue for organ in G minor ("Little"), BWV 578 (BC J66): Alla Gigue   (2:03)    Written   by 1706; Arnstadt, Germany    Notes   Arranged: Ward Swingle 19. Overture (Air from Orchestral Suite) No. 3 in D major, BWV 1068: Ⅱ. Air, "Air on a G String"   (4:23)    Written   circa 1729-1731; Leipzig, Germany 20. Fugue for organ in G major, BWV 577 (BC J61)   (2:24)    Written   by 1706; Arnstadt, Germany    Notes   Arranged: Ward Swingle 21. Cantata No. 60, "O Ewigkeit, du Donnerwort," BWV 60 (BC A161): Ⅴ. Chorale: Es ist genug, herr, wenn es Dir gefallt   (1:50)    Lyricist   Johann Rist    Written   1723; Leipzig, Germany    Arranger   Anonymous (arr. for vocal ensemble)    arranged for a capella choir (Ben Parry & John Rathborne) .   The Swingle Singers Biography Formed: 1962 Genre: Jazz Years Active: '50s, '60s, '70s, '80s, '90s, '00s A French vocal group famed for tackling all manner of classical material (Baroque, fugues, madrigals, orchestral overtures) and switching them to an a cappella swing setting, the Swingle Singers was formed in Paris during the early '60s by American expatriate Ward Swingle. By the time of their 1963 album debut, the group comprised eight voices — Swingle, Christiane Legrand (sister of Michel), Jean-Claude Briodin, Anne Germain, Claude Germaine, Jean Cussac, Claudine Meunier and Jeanette Baucomont. That album, Jazz Sebastian Bach (titled Bach's Greatest Hits in America), earned the group a Grammy award and almost made the Top Ten. The novelty inherent in an eight-voice scatting choir resulted in dozens of television and radio appearances around the world during the mid-'60s. Somehow, the group also managed to record follow-up LPs Going Baroque in 1964 and Anyone for Mozart? one year later. Both were Grammy winners as well — though Best Performance by a Chorus definitely wasn't the most competitive category at the awards ceremony. In an era when vocal choruses increasingly slipped down the easy listening slope, however, the Swingle Singers moved in precisely the opposite direction. In 1969, a subsidiary group called Swingles II premiered Sinfonia, a composition by the avant-garde composer Luciano Berio that also utilized the New York Philharmonic. After a move to England in 1973, Ward Swingle recruited a new Swingle Singers and changed musical direction, incorporating material from the avant-garde as well as the Renaissance era and jazz. Swingle himself retired from active performance in 1984, but continued on as music director. The group continued to tour the world into the '90s, performing operas by Azio Corghi and Berio, appearing in compositions with ballet companies, and holding various classes and workshops as well.   . 잘생긴 꾀꼬리 꽃미남 리차드강 어리버리 돈키호테.