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1-3. Concerto for cello, strings & continuo in A minor, RV 419 (09:24) 01. I. Allegro (03:47) 4-6. Concerto for cello, strings & continuo in F major, RV 410 (12:02) 04. I. Allegro (03:32) 7-9. Concerto for cello, strings & continuo in E minor, RV 409 (07:39) 07. I. Adagio, allegro alternatim (03:55) 10-12. Concerto for cello, strings & continuo in G major, RV 414 (09:53) 10. I. Allegro molto (03:22) 13-15. Concerto for cello, strings & continuo in D minor, RV 406 (10:35) 13. I. Allegro non molto (03:19) 16-18. Concerto for cello, strings & continuo in C major, RV 398 (7:40) 16. I. Allegro (03:12) 19-21. Concerto for cello, strings & continuo in A minor, RV 421 (7:59) 19. I. Allegro non troppo (03:13) Album Review 비발디 에디션 시리즈 중 첫 번째 첼로 협주곡 음반이다. 크리스토프 코인은 솔로 첼로주자로서, 4중주 멤버로, 지휘자로, 교수로 다양한 활동을 하고 있다. 낭만주의 음악, 현대 음악도 그에게 중요한 레퍼토리이지만 특별히 바로크 음악에 대한 그의 애정은 각별하다. 1985년 밀라노에서 결성된 일 지아르디노 아르모니코는 모두 원전악기를 사용하여 특색 있는 소리로 17-18세기 작품을 연주한다. 단원들은 모두 유럽의 유명 음악원 출신들이고, 솔로리스트들로도 활동하고 있으며, 작품에 따라 3명에서 30명까지 규모를 바꾼다. Review After the violin and bassoon, Vivaldi apparently like the cello best as a solo instrument. Because while the Italian Baroque master wrote somewhere over 200 violin concertos and 39 bassoon concertos, he also wrote 28 cello concertos. Part of his special affection may come from the fact that Vivaldi himself seems to have invented the genre. Although there had been passages for solo cello in earlier composers' works, Vivaldi apparently wrote the first actual concertos featuring the cello throughout. This disc, the first in Naïve's Vivaldi's Edition's releases of all the concertos played by Christophe Coin with Il Giardino Armonico led by Giovanni Antonini, is an easy winner. The veteran French cellist has a nuanced tone, a powerful technique, a penetrating intellect, and a gift for sustaining a long line and all of these qualities come into play in these performances. With the able and agile support of the Italian period-instrument chamber orchestra, Coin makes every movement of every concerto distinct -- and distinctly appealing -- each with its own lyrical melodies, graceful harmonies, and instantly infectious rhythms. Recorded in clear, warm, and direct sound, this is as fine a disc as has been released in Naïve's outstanding Vivaldi Edition -- which, considering the quality of the other releases, is high praise indeed. by James Leonard ![]() |
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