Stabat Mater 브뤼노 꿀레: 슬픔의 성모 (Stabat Mater 성모애가) Bruno Coulais (1954 - ) France 1. Yâ man (ô celui): Invocation - 전악장 연주
Album Title: Bruno Coulais: Stabat Mater Composer: Bruno Coulais (1954 - ) Audio CD (November 29, 2005) Notes
Stabat Mater, for voice, chorus & ensemble (67:47) Composer Bruno Coulais (1954 - )
Conductor Bruno Coulais 1. Yâ man (ô celui): Invocation 2:10 2. Fac Ut Ardeat Cor Meum 4:21 3. Quis Non Posset Contristari 4:16 4. Quis est homo qui non fleret 3:34 5. Prélude: dolente 0:39 6. Dolente 2:32 7. Juxta crucem tecum stare 5:35 8. O quam tristis et afflicta 1:26 9. Sous les fouets, meurtri 3:47 10. Christe, cum sit hinc exire 2:29 11. Fac ut portem christi mortem 1:25 12. Pro peccatis suae gentis 4:31 13. Debout avec toi 1:28 14. Vidit suum dulcem natum 3:30 15. Wa zâdî qalîlun (faible est ma provision) 3:48 16. Eia mater, fons amoris 1:16 17. Chemin 3:08 18. Stabat mater dolorosa 4:18 19. Virgo virginum praeclara 4:16 20. Quando corpus morietur 3:14 21. Yâ habîba l-qalbi (ô aimé de mon cœur) 6:04
Bruno Coulais Biography
Born: January 13, 1954 in Paris, France Born in 1954, Bruno Coulais was a French born film and television soundtrack composer whose first full-length work appeared in 1986 — the score for the Sebastien Grall film La Femme Secrete. He kept to the television end of film scoring and composition for the next few years, and in 1996 he was to earn his first big marks for his work on the documentary Microcosmos, which won him the 1997 Cesar Award. With this success in tow, Coulais went on to the big screen, and some of the most popular French movies over the next few years featured his work, including the 2001 world-wide hit, Winged Migration. After this brief — and successful — foray into cinematics, Coulais went off on his own, composing a children's opera, and delving into collaborative efforts with Akhentaon and A Filetta. But films and television were not left behind completely, and by 2008 — the year of Coulais' soundtrack to the film MR 73 — Coulais added another 13 or so credits to his résumé.
Bruno Coulais
Born (1954-01-13) 13 January 1954 (age 59) Bruno Coulais (born 13 January 1954) is a French composer, most widely known for his music on film soundtracks. Some of his better-known scores are those of Les choristes, Coraline, and The Secret of Kells. Life and careerCoulais was born in Paris; his father is from Vendée and his mother was born in Paris. Coulais began his musical education on the violin and piano, aiming to become a composer of contemporary classical music. However, a series of acquaintances gradually re-oriented him towards film music. Coulais met François Reichenbach, who asked him in 1977 to sonorize his documentary México mágico and the producer Marie Bodin who permit to compose the first soundtracks for Jacques Davila. Until the end of the 1990s, he remained low-profile, composing mainly for television. His name can often be found from TV films by Gérard Marx and Laurent Heynemann. He also composed the soundtracks for Christine Pascal's 1992 film Le petit prince a dit, and Agnès Merlet's Le fils du requin in 1993. In 1994, he met the television producer Josée Dayan, who let him write a theme for the TV series La rivière esperance, aired on the France 2 network in autumn 1995. He worked with Dayan again with other major productions such as Le Comte de Monte-Cristo, Balzac, and Les nuiteux.
The largest turning point of his career came in 1996, when he worked with directors Claude Nuridsany and Marie Pérennou of the documentary Microcosmos. This single film, which gave a great significance to the music in it, was a great success and made Coulais one of the most wanted composers of French film music. In 1997, he won the César award for the best musical score in a film, as well as a Victoire de la Musique. His reputation was confirmed by the soundtracks to Himalaya (1999) and Les rivières pourpres (2000), and after that Bruno Coulais's name was to be found on most new French blockbusters, such as Belphégor and Vidocq. After producing the soundtrack to Winged Migration in 2001, Coulais announced that he wanted to significantly reduce his contributions to film music, and instead concentrate on other projects, such as the creation of an opera for children, and collaborations with Akhenaton, Akhenaton's group IAM and the Corsican group A Filetta, with whom he had worked since he had made the soundtrack for Jacques Weber's film Don Juan in 1998. In 2002, his name was found on the ending credits of the animation L'enfant qui voulait être un ours, and in 2004, on Frédéric Schoendoerffer's Agents secrets. The same year, he wrote the soundtrack to the film Les choristes by Christophe Barratier, which subsequently became an international hit. The music for this film received as great praise as the film itself, and it won Coulais his third César award. Since then, Coulais's collaborations in cinema seem to be limited to works by directors with whom he already shares some history, in particular Jacques Perrin, Frédéric Schoendoerffer, and James Huth. In 2009, he won the 37th Annie Awards in the "Music in a Feature Production" category for Coraline. In 2009 he also collaborated with Irish band Kíla to produce the soundtrack for the animated feature film The Secret of Kells. Bruno Coulais's musical style may vary significantly between different projects, but there are some constant factors visible: his taste for opera and for human voice (in particular that of children), for a search for original sonority, for world music and for mixing different musical cultures. 글 출처: 위키피디아
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