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Pa-Mun: Ripples on Water (Piano Music from Korea) |
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한국 현대 피아노 작품집
Various Artist (2011 NAXOS)
1. Pa-mun ('Ripples on Water'), for piano |
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Album Title: Pa-Mun: Ripples on Water (Piano Music from Korea)
Composer: Uzong Choe, Sukhi Kang, Chung-gil Kim, Younghi Pagh-Paan, Isang Yun
Performer: Klara Min (Piano)
Audio CD (July 5, 2011)
Number of Discs: 1
SPAR Code: DDD
Mono/Stereo: Stereo
Label: Naxos (Distributor)
Copyright: (C) 2011 Naxos
Total Length: 54:02
Genres: Classical, Instrumental, Character Piece, Piece, Prelude, Sketch, Suite |
Performer Klara Min (Piano)
Venue American Academy of Arts and Letters, New York, USA
Notes (11/02/2009-11/04/2009)
1. Pa-mun ('Ripples on Water'), for piano (5:46)
Composer Younghi Pagh-Paan (1945 - )
Genre Character Piece
Period 20th Century
Date Written 1971
2-6. Pieces (5) for piano (Fünf Stücke) (6:29)
Common Name Pieces 5 For Piano
Composer Isang Yun (1917 - 1995)
Genre Piece
Date Written 1958
Period Modern; 20th Century
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2. No. 1. Adagio, grazioso
3. No. 2. Andantino, espressivo
4. No. 3. Allegro moderato
5. No. 4. Allegro
6. No. 5. Allegretto |
1:29
1:23
1:04
1:10
1:15 |
7. Interludium A for Piano (13:06)
Composer Isang Yun (1917 - 1995)
Date Written 1982; Germany
Period Modern; 20th Century
8-10. Piano Sketches (5:27)
Composer Sukhi Kang (1934 - )
Genre Sketch
Date Written 1966
Period Modern; 20th Century
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8. Ⅰ. quarter note = ca. 42
9. Ⅱ. dotted quarter note = ca. 80
10. Ⅲ. quarter note = ca. 120 |
1:54
1:59
1:34 |
11-13. Preludes (10:53)
11. Prelude No. 2, for piano (3:57)
Common Name Prelude 2 For Piano
Composer Uzong Chae (1968 - )
Genre Prelude
Period 21st Century
Date Written 2003
12. Prelude No. 7, for piano (3:28)
Composer Uzong Chae
Genre Prelude
Period 21st Century
Date Written 2004
13. Prelude No. 8, for piano (3:28)
Composer Uzong Chae
Genre Prelude
Period 21st Century
Date Written 2004
14-16. Go-Poong (Memory of Childhood) (1981 set) (excerpts) (12:33)
Common Name Go Poong 'memory Of Childhood' S
Composer Chung Gil Kim (1943 - )
Genre Suite
Date Written 1982
Period Modern; 20th Century
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14. 1. Hyang-hap
15. 2. Namakshin
16. 3. Okbinyo |
7:41
1:44
3:07 |
음반 설명
한국 현대 피아노 작품집(박영희, 윤이상, 강석희, 최우정, 김정길) - 클라라 민(민유경)
(원제:Ripples on Water - Piano Music from Korea, featuring Klara Min - Klara Min)
뉴욕을 기반으로 활동 중인 한국계 피아니스트 민유경이 한국 현대 음악계를 대표하는 다섯 작곡가들의 피아노 독주곡들을 녹음하였다. 윤이상의 5개의 연습곡과 간주곡 A, 재독 작곡가 박영희의 '파문', 전현직 서울대 음대 교수들인 강석희의 '피아노 스케치', 김정길의 '고풍' 중 '향합', '나막신', '옥비녀', 최우정의 전주곡 2,7,8번 등이 수록되었다.
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Review.
Quite often one thinks of classical or art music as originating in the West, but this album proves that there is indeed a vibrant culture of art music from Asia. South Korean pianist Klara Min showcases works from a few 20th century Korean composers. Younghi Pagh-Paan''s "Pa-mun" (Ripples on Water) captures a sense of play and the motion of water. one hears slow ripples first, then faster droplets or faster ripples. Though there is emotion here, it is overall a quiet piece. Isang Yun''s "Fünf Stücke" is a series of five miniature pieces that are atonal, or, rather, are not primarily about linear harmonic or melodic structure. Min makes each note count, and keeps with the character of each piece, playing the Allegro brightly and actively, and the Allegretto active and moving forward. Yun''s "Interludium A" shows off Min''s athletic playing, and she never seems to miss a note anywhere. Perhaps the most interesting works on the album are by Uzong Chae. These Preludes have interesting chords and are slightly tonal. The "Prelude No. 7" even briefly goes tonal, with an echo of Bach. "Prelude No. 8" is also fairly tonal, with a hypnotic repeating pattern. Min clearly chooses which notes to emphasize, giving shape to these patterns, and this makes the piece engaging. Also hypnotic is the second movement of "Go-Poong" (Memory of Childhood) with its repeating motif with carefully placed notes sprinkled above. Min is able to bring mystery into this entire work, which is sometimes dark and menacing. If one is looking for Korean traditional or folk music, this album is not about that. Rather, it might be more accurate to say that this album is an example of Korean composers who have drawn upon Western, mid-20th century compositional techniques. So much of the music is universal; that is to say, it could have been composed anywhere in the world. Klara Min has done a worthy job of tackling challenging music by the leading composers of her homeland. ~ V. Vasan |
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 잘생긴 꾀꼬리 꽃미남 리차드강 어리버리 돈키호테.
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