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앨범: 합창의 발견 CD 2 - Various Artist (2007 Naxos)

리차드 강 2013. 5. 7. 15:49

Discover Choral Music CD 2

합창의 발견 CD 2

Various Artist (2007 Naxos)

1. Vouchsafe, O Lord, in thee have I trusted

     

Album Title: Discover Choral Music
Composer: Gregorian Chant, Josquin Desprez, John Taverner, Thomas Tallis, William Byrd, et al.
Conductor: Matyas Antal, Géza Oberfrank, Wolfgang Helbich, Harry Christophers, Michael Halász, et al.
Performer: Wojciech Drabowicz, I Febiarmonici, Gary Cooper, Laurence Cummings, Barbara Kubiak, et al.
Orchestra: Failoni Orchestra, Failoni Chamber Orchestra (Budapest), Concerto Polacco, Symphony of Harmony & Invention, Nicolaus Esterházy Sinfonia, et al.

Audio CD (July 30, 2007)
Number of Discs: 2
Format: CD
Spars Code: DDD
Recorded in: Stereo
Series: Discover Educational
Label: Naxos Educational
Copyright: (C) 2007 Naxos
Total Length: 2:35:44
Styles: Choral
Genre: Classical, Choral - Sacred; Choral - Secular; Orchestral; Vocal
Period: 20th Century; Baroque; Classical; Contemporary; Renaissance; Romantic

     

     
 

Disc 2

1. Te Deum for soloists, chorus & orchestra in D major, HWV 283, "Dettingen": Vouchsafe, O Lord, in thee have I trusted  (3:56)
   Common Name   Te Deum Dettingen For For Chorus & Orchestra
   Catalog No.   HWV 283
   Composer   George Frederick Handel (1685 - 1759)
   Lyricist   Anonymous
   Conductor   Wolfgang Helbich
   Performer   Chris Dixon (bass)
                      Dorothee Mields (soprano)
                      Mark Wilde (tenor)
                      Ulrike Andersen (alto)
   Choir   Alsfelder Vocal Ensemble
   Ensemble   Concerto Polacco
   Genre   Baroque Period / Sacred Music / Te Deum
   Date Written   1743; London, England
   Period   Baroque

2. Samson, oratorio, HWV 57: Act Ⅲ Scene 2: Air: How willing my paternal love (Sung in German)/Act Ⅲ Scene 3: Aria and Chorus: Let the bright seraphim in burning row  (6:24)
   Common Name   Samson Oratorio
   Catalog No.   HWV 57
   Composer   George Frederick Handel (1685 - 1759)
   Lyricist   Newburgh Hamilton
   Conductor   Harry Christophers
   Performer   Catherine Wyn-Rogers (contralto: mezzo-soprano)
                      Jonathan Best (bass)
                      Lynda Russell (soprano)
                      Lynne Dawson (soprano)
                      Mark Padmore (tenor)
                      Matthew Vine (tenor)
                      Michael George (bass)
                      Thomas Randle (tenor)
   Choir   The Sixteen
   Orchestra   Symphony of Harmony & Invention
   Genre   Baroque Period / Oratorio
   Date Written   1741-1743; London, England
   Period   Baroque
   Notes   Composition written: 1741. Composition revised: Germany.

3. Mass No. 18 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a): Gloria: Gloria in excelsis  (2:33)
   Common Name   Mass 17 For For Chorus & Orchestra
   Catalog No.   K 417A / K 427
   Composer   Wolfgang Amadeus Mozart (1756 - 1791)
   Lyricist   Mass Text
   Conductor   Michael Halász
   Performer   Herbert Lippert (tenor)
                      Kalman Strausz (choirmaster)
                      Norine Burgess (soprano)
                      Robert Holzer (bass-baritone)
                      Viktoria Loukianetz (soprano)
   Choir   Hungarian Radio and Television Chorus
   Orchestra   Nicolaus Esterházy Sinfonia
   Genre   Classical Period / Mass
   Date Written   1782-1783; Vienna, Austria
   Period   Classical
   Notes   Composition written: 1783. Composition revised: Germany.

4-5. Mass for soloists, chorus, organ & orchestra in D minor ("Lord Nelson"), Hob.XXII:11 "Nelsonmesse", "Imperial Mass", "Coronation Mass": Benedictus (exceprts)  (6:19)
   Common Name   Lord Nelson Mass, Mass For For Chorus Organ & Orchestra
   Catalog No.   H 22
   Composer   Franz Joseph Haydn (1732 - 1809)
   Lyricist   Mass Text
   Conductor   Béla Drahos
   Performer   Gabriele Sima (contralto)
                      Kurt Azesberger (tenor)
                      Robert Holzer (bass-baritone)
                      Viktoria Loukianetz (soprano)
   Choir   Hungarian Radio and Television Chorus
   Orchestra   Nicolaus Esterházy Sinfonia
   Genre   Classical Period / Mass
   Date Written   1798; Vienna, Austria
   Period   Classical
   Notes   Composition written: 1798. Composition revised: England.

4. Benedictus: Benedictus qui venit   5:34
5. Benedictus: Hosanna in excelsis   0:45

6. Die Schöpfung (The Creation), oratorio, Hob.XXI:2: Part I, No.2: Aria and Chorus: Nun schwanden vor dem heiligen Strahle (Now vanish before the holy beams)  (3:43)
   Common Name   Die Schopfung The Creation Oratorio
   Catalog No.   H 21
   Composer   Franz Joseph Haydn (1732 - 1809)
   Lyricist   Gottfried van Swieten
   Conductor   Andreas Spering
   Performer   Christine Wehler (alto)
                      Hanno Müller-Brachmann (bass-baritone)
                      Jan Kobow (tenor)
                      Max Ciolek (choirmaster)
                      Sunhae Im (soprano)
   Ensemble   Cologne Vocal Ensemble (VokalEnsemble Köln)
   Orchestra   Capella Augustina
   Genre   Classical Period / Oratorio
   Date Written   1796-1798; Vienna, Austria
   Period   Classical
   Notes   Composition written: 1798. Composition revised: England.

7. Psalm 42 ("As pants the hart"), for soloists, chorus & orchestra in F major, Op. 42 "Wie der Hirsch schreit": Finale: Warum betrübst du dich (Chorus)  (4:43)
   Common Name   As Pants The Hart Psalm, Psalm 42 For Chorus & Orchestra
   Composer   Felix Mendelssohn (1809 - 1847)
   Lyricist   Bible - Old Testament
   Conductor   Helmuth Rilling
   Performer   Christoph Genz (tenor)
                      Matthias Goerne (baritone)
                      Scot Weir (tenor)
                      Sibylla Rubens (soprano)
                      Thomas Mehnert (bass)
   Choir   Gächinger Kantorei Stuttgart
   Orchestra   Stuttgart Bach Collegium
   Genre   Psalm / Romantic Period / Sacred Music
   Date Written   07/1837; Germany
   Period   Romantic
   Country   Germany

8. Os justi meditabitur sapientiam, gradual for chorus in Lydian mode, WAB 30  (5:07)
   Composer   Anton Bruckner (1824 - 1896)
   Lyricist   Bible - Old Testament
   Conductor   Robert Jones
   Performer   Matthew Morley (organ)
   Choir   St. Bride's Church Choir, Fleet Street
   Genre   Gradual / Motet / Romantic Period
   Date Written   circa 1879; Linz, Austria
   Period   Romantic

9. Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: In Paradisum  (3:23)
   Common Name   In Paradisum, Requiem For 2 Solo Voices Chorus Organ & Orchestra
   Composer   Gabriel Fauré (1845 - 1924)
   Lyricist   Mass Text
   Conducter   Jeremy Summerly
   Performer   Colm Carey (organ)
                      Lisa Beckley (soprano)
                      Nicholas Gedge (bass-baritone)
   Choir   Oxford Schola Cantorum
   Ensemble   Oxford Camerata
   Genre   Requiem / Romantic Period
   Date Written   1887-1890; France
   Period   Romantic
   Country   France
   Notes   Composition written: France (1877 - 1890).

10. Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: 4. Wie lieblich sind deine Wohnungen  (4:47)
   Common Name   Ein Deutsches Requiem A German Requiem For Soprano Baritone Chorus & Orchestra
   Composer   Johannes Brahms (1833 - 1897)
   Lyricist   Bible
   Conductor   Alexander Rahbari
   Performer   Eduard Tumagian (baritone)
                      Miriam Gauci (soprano)
   Choir   Slovak Philharmonic Choir
   Orchestra   Slovak Radio Symphony Orchestra
   Genre   Requiem / Romantic Period
   Date Written   1854-1868; Austria
   Period   Romantic
   Country   Germany

11. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): Prologue: Latent Ancient Hatreds  (2:54)
   Composer   Hector Berlioz (1803 - 1869)
   Conductor   Yoav Talmi
   Performer   Frank Almond (choirmaster)
   Choir   San Diego Master Chorale
   Orchestra   San Diego Symphony Orchestra
   Genre   Oratorio / Romantic Period / Symphony
   Date Written   09/1839; France
   Period   Romantic
   Country   France

12-13. Symphony No. 8 in E flat major ("Symphony of a Thousand") (excerpts)  (1:23)
   Common Name   Symphony Of A Thousand Symphony, Symphony 8
   Composer   Gustav Mahler (1860 - 1911)
   Lyricist   Johann Wolfgang von Goethe, Anonymous
   Conductor   Antoni Wit
   Performer   Barbara Kubiak (soprano)
                      Ewa Marciniec (alto)
                      Izabela Klosinska (soprano)
                      Jadwiga Rappe (mezzo-soprano)
                      Marta Boberska (soprano)
                      Piotr Nowacki (bass)
                      Timothy Bentch (tenor)
                      Wojtek Drabowicz (baritone)
   Choir   Cardinal Stefan Wyszynski University Choir
               Polish Radio Choir
               Warsaw Boys Choir
               Warsaw Philharmonic Choir
   Orchestra   Warsaw Philharmonic Orchestra
   Genre   Romantic Period / Symphony
   Date Written   1906-1907; Austria
   Period   Romantic
   Country   Austria

12. Part 1. Hymnus: Veni, Creator Spiritus. I. Veni, creator spiritus -  (1:23)
13. Part 1. Hymnus: Veni, Creator Spiritus. V. Imple superna gratia  (4:09)

14. 8 Partsongs, Op. 119: No. 3: The Blue Bird  (3:47)
   Composer   Charles Villiers Stanford (1852 - 1924)
   Lyricist   Mary Coleridge
   Conductor   Jeremy Summerly
   Performer   Carys-Anne Lane (soprano)
   Choir   Oxford Camerata
   Genre   Chorus / Romantic Period
   Period   Romantic
   Country   United Kingdom

15. Gloria, for soprano, chorus & orchestra, FP 177: Gloria: Qui sedes ad dexteram Patris  (5:42)
   Common Name   Qui Sedes Ad Dexteram Patris, Gloria For Soprano Chorus & Orchestra
   Catalog No.   FP 177
   Composer   Francis Poulenc (1899 - 1963)
   Lyricist   Mass Text
   Conductor   Michel Piquemal [Writer]
   Performer   Danielle Borst (soprano)
   Choir   Ile de France Vittoria Regional Choir
   Orchestra   Orchestre de la Cite
   Genre   Gloria
   Date Written   1959-1960
   Period   Modern
   Country   France

16. Mass for soloists & chorus in G minor: Sanctus - Osanna I  (2:38)
   Common Name   Mass For Soloists & Chorus
   Composer   Ralph Vaughan Williams (1872 - 1958)
   Lyricist   Mass Text
   Conductor   Noel Edison
   Performer   Thomas Fitches (organ)
   Choir   Elora Festival Singers
   Genre   Mass / Sacred Music
   Date Written   1920-1921; England
   Period   Post-Romantic; 20th Century
   Country   United Kingdom

17. Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: He Journeys to Palestine  (7:33)
   Common Name   Saint Nicholas Cantata For Tenor Treble
   Composer   Benjamin Britten (1913 - 1976)
   Lyricist   Eric Crozier
   Conductor   Steuart Bedford
   Performer   Philip Langridge (tenor)
   Choir   Thomas Tallis Chamber Choir
   Orchestra   English Chamber Orchestra
   Genre   Cantata
   Date Written   1948; England
   Period   Modern; 20th Century
   Country   England

18. Antiphon, for chorus & organ, Op. 56b  (5:11)
   Common Name   Antiphon For Chorus & Organ
   Composer   Benjamin Britten (1913 - 1976)
   Lyricist   George Herbert
   Conducter Christopher Robinson
   Performer   Benedict Giles (treble)
                      Iain Farrington (organ)
                      Joseph Helps (treble)
                      Oliver Lepage-Dean (treble)
   Choir   St. John's College Choir, Cambridge
   Genre   Antiphon / Sacred Music
   Date Written   1956; England
   Period   Modern; 20th Century
   Country   United Kingdom

19. Cantate Domino canticum novum, for SATB chorus or soloists & organ  (3:25)
   Composer   Arvo Pärt (1935 - )
   Lyricist   Bible - Old Testament
   Conducter   Noel Edison
   Performer   Jurgen Petrenko (organ)
   Choir   Elora Festival Singers
   Genre   Cantata
   Date Written   1977-1996
   Period   Contemporary / Baroque

     
     

     

DISCOVER CHORAL MUSIC

Singing is a basic form of human expression – whether of worship, sorrow or joy – and the sound of a choir in full cry is a spine-tingling experience. Discover Choral Music surveys and explains the development of choral music from medieval plainchant to contemporary favourites such as John Rutter and Arvo Pärt, via Renaissance motets, oratorios by Bach and Handel, and symphonies by Beethoven, Berlioz and Mahler. The religious and social background to the music also receives due attention. This comprehensive and comprehensible guide is supported and illustrated by two-and-a-half hours of richly varied music on two CDs.

     

     
     

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