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앨범: 바흐: Morimur (2000 ECM Records)
Johann Sebastian Bach (1685-1750)
1. Auf meinen lieben Gott - Track 전곡 연주 | |
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Album Title: Bach: Morimur
Commond: Exerpts from BWV 136, BWV 278 (x5), BWV 277 (x2), BWV 188 (x2), BWV 245 (x2), BWV 270, BWV 358, BWV 5, BWV 389
Composer: Johann Sebastian Bach
Performer: David James (counter-tenor)
Monika Mauch (soprano)
John Potter (tenor)
Gordon Jones (baritone)
Christoph Poppen (baroque violin)
Ensemble: The Hilliard Ensemble
Audio CD (September 14. 2001)
Format: Audio CD, Album
SPARS Code: DDD
Number of Discs: 1
Country: US/Germany
Recorded September 2000
Recorded at Monastery of St. Gerold, Austria.
Other work: Partita for Solo Violin BWV 1004.
Recorded in: Stereo
Label: ECM New Series
Copyright: (c) 2001 ECM Records GmbH
Total Length: 1:01:34
Genres: Classical, Chamber Music, Vocal Music, Church Music, Recital, Western Classical Music
Styles: Choral, Chamber Music, Baroque | |
Composer Johann Sebastian Bach (1685 - 1750)
Ensemble The Hilliard Ensemble
Period Baroque
Date of Recording 09/2000
Studio/Live Studio
Venue Monastery of St. Gerold, Austria
Language German
1. Cantata No. 136, "Erforsche mich, Gott, und erfahre mein Herz," BWV 136 (BC A111): Chorale for 4 voices "Auf meinen lieben Gott" (2:04)
Common Name Erforsche Mich, Gott, Und Erfahre Mein Herz, Cantata
Catalog No. BWV 136
Performer Christoph Poppen (Baroque Violin)
David James (Countertenor)
Gordon Jones (Baritone)
Monika Mauch (Soprano)
John Potter (Tenor)
Genre Baroque Period / Cantata
Date Written 06/18/1723
2. Cantata "Christ lag in Todes Banden" (II), chorale setting for 4 voices, BWV 4: No. 3, Den Tod niemand zwingen kunnt, single voice excerpt (0:26)
Performer David James (Countertenor)
Written 1708; Weimar, Germany
Country ?Leipzig, Germany
Language German
Notes This selection is a repeated excerpt taken from the cantus firmus of the movement.
3. Partita for solo violin No. 2 in D minor, BWV 1004: 1st movement, Allemanda (4:11)
Common Name Allemanda, Partita For Solo Violin
Performer Christoph Poppen (Baroque Violin)
Written 1720; Cöthen, Germany
4. Christ lag in Todes Banden (Original Version) (I), chorale setting for 4 voices, BWV 277 (BC F26.1): Den Tod... (excerpt) (1:29)
Performer David James (Countertenor)
Gordon Jones (Baritone)
Monika Mauch (Soprano)
John Potter (Tenor)
Written ?Leipzig, Germany
Language German
5. Partita for solo violin No. 2 in D minor, BWV 1004: 2nd movement, Corrente (2:48)
Common Name Corrente, Partita For Solo Violin
Performer Christoph Poppen (Baroque Violin)
Written circa 1720; Cöthen, Germany
Notes Arranged: Helga Thoene
6. Cantata "Christ lag in Todes Banden" (II), chorale setting for 4 voices, BWV 277:: Den Tod niemand zwingen kunnt (excerpt: Original Version) (1:31)
Performer David James (Countertenor)
Gordon Jones (Baritone)
Monika Mauch (Soprano)
John Potter (Tenor)
Written By Date Written 1708
Country Weimar, Germany
Language German
Notes Arranged: Helga Thoene
7. Partita for solo violin No. 2 in D minor, BWV 1004: 3rd movement, Sarabanda (4:00)
Common Name Sarabanda, Partita For Solo Violin
Performer Christoph Poppen (Baroque Violin)
Written circa 1720; Cöthen, Germany
Notes Arranged: Helga Thoene
8. Cantata No. 89, "Was soll ich aus dir machen, Ephraim?" BWV 89 (BC A155): Chorale for 4 voices Text: "Wo soll ich fliehen hin" (excerpt) (0:51)
Common Name Was Soll Ich Aus Dir Machen, Ephraim? Cantata
Performer David James (Countertenor)
Gordon Jones (Baritone)
Monika Mauch (Soprano)
John Potter (Tenor)
Written 1724; Leipzig, Germany
Language German
9. Partita for solo violin No. 2 in D minor, BWV 1004: 4th movement, Giga (4:19)
Common Name Giga, Partita For Solo Violin
Performer Christoph Poppen (Baroque Violin)
Written circa 1720; Cöthen, Germany
10. Christ lag in Todes Banden (II), chorale setting for 4 voices, BWV 4: Den Tod niemand zwingen kunnt, single voice excerpt (Original Version) (0:29)
Performer David James (Countertenor)
Written 1708; Weimar, Germany
Country ?Leipzig, Germany
Language German
Notes This selection is a repeated excerpt taken from the cantus firmus of the movement.
11. Partita for solo violin No. 2 in D minor, BWV 1004: 5th movement, Ciaccona (14:22)
Common Name Ciaccona, Partita For Solo Violin
Performer Christoph Poppen (Baroque Violin)
Written circa 1720; Cöthen, Germany
11. Partita No. 2 for violin solo, D minor, BWV 1004, Ciaccona
12. Christ lag in Todes Banden (I), chorale setting for 4 voices, BWV 277 (BC F26.1): Den Tod... (excerpt) (2:17)
Performer David James (Countertenor)
Gordon Jones (Baritone)
Monika Mauch (Soprano)
John Potter (Tenor)
Written 1708; Weimar, Germany
Country ?Leipzig, Germany
Language German
Notes This selection is a repeated excerpt taken from the cantus firmus of the movement.
13. St. John Passion (Johannespassion), BWV 245 (BC D2): Part 1: Chorale for 4 voices: No 9, "Dein Will gescheh, Herr Gott zugleich" (excerpt) (0:54)
Common Name St John Passion Johannespassion For 4 Voices
Performer David James (Countertenor)
Gordon Jones (Baritone)
Monika Mauch (Soprano)
John Potter (Tenor)
Written 1724; Leipzig, Germany
Country Leipzig, Germany
Language German
14. St. Matthew Passion, BWV 244: Part 2: No. 53, Choral: "Befiehl du deine Wege" (excerpt) (1:24)
Performer David James (Countertenor)
Gordon Jones (Baritone)
Monika Mauch (Soprano)
John Potter (Tenor)
Written ?1727; Leipzig, Germany
Country Leipzig, Germany
Language German
15. Jesu, meine Freude, chorale setting for 4 voices, BWV 358 (BC F116) (1:06)
Performer David James (Countertenor)
Gordon Jones (Baritone)
Monika Mauch (Soprano)
John Potter (Tenor)
Written Leipzig, Germany
Language German
16. Cantata No. 188, "Ich habe meine Zuversicht," BWV 188 (BC A154): Chorale for 4 voices "Auf meinen lieben Gott" (excerpt) (0:48)
Common Name Ich Habe Meine Zuversicht, Cantata
Performer David James (Countertenor)
Gordon Jones (Baritone)
Monika Mauch (Soprano)
John Potter (Tenor)
Language German
17. St. John Passion (Johannespassion), BWV 245, Part 1: Chorus: "Jesu Deine Passion ist mir lauter Freude" (1:08)
Performer David James (Countertenor)
Gordon Jones (Baritone)
Monika Mauch (Soprano)
John Potter (Tenor)
Written 1729; Leipzig, Germany
Language German
18. St. John Passion (Johannespassion), BWV 245 (BC D2): 245, Part 2: Chorale for 4 voices "In meines Herzens Grunde" (excerpt) (0:52)
Common Name In Meines Herzens Grunde, St John Passion Johannespassion For 4 Voices
Performer David James (Countertenor)
Gordon Jones (Baritone)
Monika Mauch (Soprano)
John Potter (Tenor)
Language German
19. Nun lob, mein Seel, den Herren (I), chorale setting for 4 voices, BWV 389 (BC F153.1) (1:39)
Performer David James (Countertenor)
Gordon Jones (Baritone)
Monika Mauch (Soprano)
John Potter (Tenor)
Written ?Leipzig, Germany
Language German
20. Cantata "Christ lag in Todes Banden" (II), chorale setting for 4 voices, BWV 4: No. 3: Den Tod niemand zwingen kunnt, single voice excerpt (Original Version) (0:26)
Performer David James (Countertenor)
Date Written 1708
Country Weimar, Germany
Language German
21. Partita for solo violin No. 2 in D minor, BWV 1004: Ciaccona für Violine solo und vier Stimmen nach einer Analyse von Helga Thoene (Transcribed for Violin Solo and Four Voices), accompanied by chorale fragments (13:59)
Common Name Partita For Solo Violin
Performer John Potter (Tenor)
David James (Countertenor)
Christoph Poppen (Baroque Violin)
Date Written circa 1720
Country C?then, Germany
Langunage German
21. Partita No. 2 for violin solo, D-minor, BWV 1004, Ciaccona
22. Christ lag in Todes Banden (II), chorale setting for 4 voices, BWV 4: No. 3: Den Tod niemand zwingen kunnt, single voice excerpt (Original Version) (0:30)
Performer David James (Countertenor)
Date Written 1708
Country Weimar, Germany
Language German
음반 소개
바흐 샤콘느의 숨겨진 의미.
1720년 세상을 떠난 바흐의 부인 마리아 바르바라에게 바치는 장송 음악이자 묘비명 샤콘느. 그 숨겨진 의미가 칸타타와 수난곡의 코랄을 통해 밝혀진다.
크리스토프 포펜이 바로크 바이올린으로 연주하는 파르티타와 그 위에 얹어진 힐리어드 앙상블의 환성적인 화음으로 지금까지 경험하지 못한 감동의 샤콘느가 펼쳐진다.
*누구도 감히 상상하지 못했던, 바흐의 머릿속에서만 남아있던 작품의 진의가 숨겨진 코랄들을 통해 실현되었다. 마침내 샤콘느를 음악역사상 가장 귀중한 작품으로 끌어 올려주고 있는 지적인 음반 - GRAMOPHONE
*오피시움에서 보여준 것과 같은 아름다운 음향을 바이올린 독주와 보컬 앙상블의 결합을 통해 재현하고 있다. 후광이 비추는 듯 아련히 들려오는 감미로운 음성은 아름답기 그지없다. - IRR
*크리스토프 포펜과 힐리어드 앙상블의 아름다운 화음이 만들어낸 이 섬세한 연주로, 파르티타와 코랄의 완벽한 조화를 이루어 냈다.
In music of the baroque era it was popular to use the medium of numbers for conveying secrets and riddles, and Bach studies have illuminated many new "meanings" in his sacred works. Now "Morimur" explores the coded references, and hidden messages in his solo violin music, opening a window on Bach's thought at a time when he was deeply affected by the sudden and tragic death of his wife, Maria Barbara, in 1720. Building on the research of Professor Helga Thoene, violinist Christoph Poppen and the Hilliard Ensemble have realised a unique project for ECM New Series: They offer a stunning experience by interweaving the verses of the "hidden chorales" of the Ciaccona with Bach's harmonically complex violin part.
Review
It was quite popular, in the Baroque era, to use numbers and equations for riddles and the hiding of messages; and the study of J.S. Bach's work has revealed that he used numbers symbolic of notes in the major and minor scales formulated into equations and then composed his works around these equations. It was with one such series of equations that researchers found that inside of J.S. Bach's music there was a large number of other compositions almost fractally entwined. Of particular interest was J.S. Bach's "Six Sonatas and Partitas for Solo Violin" which had been designed with a sort-of numeric equation that turned out to actually have the music fractally built around a very small part. Intrigued by researcher's findings Christoph Poppen discussed with ECM Records head and producer Manfred Eicher the possibility of a recording that would make the "hidden chorales" as the smaller, fractal pieces were later termed, more audible. A collaboration with the excellently gifted interpreters of early music, the Hilliard Ensemble was proposed and with Christoph Poppen directing they set about liberating the numeric/ melodic equations from the fabric of J.S. Bach's "Partita No. 2". With Morimur for the first time we hear the music the way that J.S. Bach might have heard it when he was composing his "Partita No. 2 as they are linked with various chorales that also used the numeric equation that is found in "Partita No. 2". Beyond the fascinating story behind Morimur it's an excellently well crafted, and well-produced recording that truly brings the piece to life. If you're a fan of J.S. Bach it is recommended that you give this recording a listen as it is fantastic and excellently read with the Hilliard Ensemble in top form. A must have for your collection!
by Matt Borghi
Bach: Morimur, Chaconne (Christoph Poppen & Hilliard Ensemble)
바흐의 바이얼린 솔로기악곡인 '소나타 & 파르티타' 중에서 BWV 1004 번의 5악장 샤콘느는 1720년 세상을 떠난 바흐의 부인 마리아 바르바라에게 바치는 장송음악으로 널리 알려져있다. Bach는 그녀의 임종을 지키지도 못했고 여행에서 돌아왔을 때는 그녀가 이미 땅 속에 묻힌 지 일주일이나 뒤였다 하니, 그러니 마음이 오죽했겠는가?
하지만 기악곡이므로 아내를 추모하는 바흐의 심경은 듣는 사람 몫으로 남겨질 수 밖에 없었는데 이 샤콘느에 가사를 붙여서 바이얼린 솔로와 보컬이 함께 연주된 작품이란 점에 의미가 있다. (Track.21) 그래서 흔히들 이 음반을 샤콘느, 그 숨겨진 의미라고 하는데, 이러한 발견은 1994년 Helga Thoene이란 교수가 바흐의 샤콘느가 실은 수많은 죽음에 대한 암시와 이제까지 발표된 수백개의 Bach choral themes로 구성되어있다고 밝히면서 이 것을 음악으로 옮겨본 것이라고 한다.
이 음반의 제목인 Morimur는 라틴어로 '우리가 죽는다'라는 의미이며 '우리가 성부에게서 태어나고 성자 안에서 죽고 성신에 의해 부활하리라'는 구절 중의 가운데 토막이다. Christopher Poppen의 생생하고 가슴을 쥐어짜는 baroque violin 연주와 Hilliard Ensemble의 성스러운 Bach cantata 들이 어울러져서 신비한 음악을 만들어 낸다.
글 출처: 꺄르륵(ozclinic): 오즈의 여유 |
