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바흐: 프랑스 모음곡 (2016 Harmonia Mundi) Johann Sebastian Bach (1685 - 1750) 01. I. Allemande - CD 1, 2 Track 전곡 연주 |
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Album Title: Bach: The French Suites
Composer: Johann Sebastian Bach (1685 - 1750)
Performer: Richard Egarr (Harpsichord, Conductor 1963 - Lincoln, England)
Audio CD (May 27, 2016)
Number of Discs: 2
Format: Audio CD
Spars Code: DDD
Label: Harmonia Mundi
Copyright: (c) ℗ 2016 Harmonia Mundi USA
Total Length: 1:45:11
Genres: Classical, Music, Baroque Era
Styles: Keyboard Album Review
Fresh vitality and a sense of adventure. Noted for his idiosyncratic and probing performances, British keyboard player and conductor Richard Egarr continues his Bach cycle with these captivating readings of the complete French Suites, BWV812-817. "High octane, muscular, a rush of blood to the head ... Moments of calm between the storm ... were suddenly stark, raw and searching. ... I was gripped by the energy of it all, by the urgency of the ornamentation, by the aching crunches in the Allemandes." (HERALD SCOTLAND, concert review) |
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[작품 해설] 괴텐 시대의 작품. 바하가 안나 막달레나와 재혼한 시대이다. 안나는 음악적 재능에도 혜택을 입은 부인이었으므로, 바흐가 특히 애처를 위해서 이것을 썼던 것이라고 전해진다. 기교적으로는 애처의 능력에 따른 범위에서, 그리고 내용은 깊은 애정이 흘러 넘치도록 한 곡이다. 곡 천체가 느낌이 프랑스적이라는 데서 이름이 붙여졌고, 앞의 영국 모음곡이 장중한 느낌인데 비해 우아하고 경묘하다. 바흐는 이 무도곡에 제각기 음악적인 인격을 주어 예술의 최고 표현을 나타내고 있다. 바흐(J.S.Bach)가 두 번째 아내 안나 막달레나와 결혼한 후인 1722년경에 <프랑스 모음곡>을 작곡했다고 전해진다. 이 시기는 바흐가 쾨텐 시대에서 라이프찌히 시대로 옮겨가는 시기이므로 클라비어나 합주곡의 창작에 주력하고 있을 때이기도 했다. 가볍고 우아한 느낌이 있고, <영국 모음곡>과 비교해볼 때 그만큼 규모가 크고 장중하지 않으며, 전주곡이 없는 것이 특징이라 할 수 있다. |
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1. French Suite, for keyboard No. 1 in D minor, BWV 812 (BC L19) (15:17)
Common Name French Suite For Keyboard
Catalog No. BWV 812
Composer Johann Sebastian Bach (1685 - 1750)
Performer Richard Egarr (Harpsichord)
Genre Baroque Period / Suite
Date Written 1722 - circa 1724; Leipzig, Germany
Period Baroque
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01. I. Allemande
02. II. Courante
03. III. Sarabande
04. IV. Menuet I & II
05. V. Gigue |
4:14
2:00
2:42
3:18
3:03 |
2. French Suite, for keyboard No. 2 in C minor, BWV 813 (BC L20) (15:36)
Common Name French Suite For Keyboard
Catalog No. BWV 813
Composer Johann Sebastian Bach (1685 - 1750)
Performer Richard Egarr (Harpsichord)
Genre Baroque Period / Suite
Date Written 1722 - circa 1724; Leipzig, Germany
Period Baroque
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06. I. Allemande
07. II. Courante
08. III. Sarabande
09. IV. Air
10. V. Menuet I
11. VI. Gigue |
3:20
2:11
3:29
1:26
1:29
2:25 |
3. French Suite, for keyboard No. 3 in B minor, BWV 814 (BC L21) (17:18)
Common Name French Suite For Keyboard
Catalog No. BWV 814
Composer Johann Sebastian Bach (1685 - 1750)
Performer Richard Egarr (Harpsichord)
Genre Baroque Period / Suite
Date Written 1722 - circa 1724; Leipzig, Germany
Period Baroque
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12. I. Allemande
13. II. Courante
14. III. Sarabande
15. IV. Menuet I & II (Trio)
16. V. Angloise (Gavotte)
17. VI. Gigue |
3:49
2:17
3:18
3:44
1:42
2:28 |
4. French Suite, for keyboard No. 4 in E-Flat Major, BWV 815 (BC L22) (15:37)
Common Name French Suite For Keyboard
Catalog No. BWV 815
Composer Johann Sebastian Bach (1685 - 1750)
Performer Richard Egarr (Harpsichord)
Genre Baroque Period / Suite
Date Written 1722 - circa 1724; Leipzig, Germany
Period Baroque
Notes Composition written: 1722. Composition revised: Germany.
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18. I. Allemande
19. II. Courante
20. III. Sarabande
21. IV. Gavotte
22. V. Air
23. VI. Menuet
24. VII. Gigue |
3:29
2:03
3:16
1:23
1:52
0:55
2:39 |
5. French Suite, for keyboard No. 5 in G major, BWV 816 (BC L23) (18:26)
Common Name French Suite For Keyboard
Catalog No. BWV 816
Composer Johann Sebastian Bach (1685 - 1750)
Performer Richard Egarr (Harpsichord)
Genre Baroque Period / Suite
Date Written 1722 - circa 1724; Leipzig, Germany
Period Baroque
Notes Composition written: 1722. Composition revised: Germany.
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25. I. Allemande
26. II. Courante
27. III. Sarabande
28. IV. Gavotte
29. V. Bourrée
30. VI. Loure
31. VII. Gigue |
3:34
1:53
4:16
1:06
1:28
2:13
3:56 |
6. French Suite, for keyboard No. 6 in E major, BWV 817 (BC L19) (17:03)
Common Name French Suite For Keyboard
Catalog No. BWV 817
Composer Johann Sebastian Bach (1685 - 1750)
Performer Richard Egarr (Harpsichord)
Genre Baroque Period / Suite
Date Written 1722 - circa 1724; Leipzig, Germany
Period Baroque
Notes Composition written: 1722. Composition revised: Germany.
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32. I. Allemande
33. II. Courante
34. III. Sarabande
35. IV. Gavotte
36. V. Polonaise
37. VI. Menuet
38. VII. Bourrée
39. VIII. Gigue
40. V. Menuet II |
3:45
1:42
2:54
1:06
1:39
1:17
1:49
2:51
1:16 |
7. French Suite No. 2 in C Minor, BWV 813/II. Courante (05:53)
Common Name French Suite For Keyboard
Catalog No. BWV 813
Composer Johann Sebastian Bach (1685 - 1750)
Performer Richard Egarr (Harpsichord)
Genre Baroque Period / Suite
Date Written 1722 - circa 1724; Leipzig, Germany
Period Baroque
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41. (after the autograph, Klavierbüchlein 1722)
42. (after the copy by H. N. Gerber)
43. (after the copy by Anna Magdalena Bach, Klavierbüchlein 1725) |
1:50
1:57
2:04 |
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오늘날 가정음악으로서 사랑을 받고 있는 "프랑스모음곡"은 모두 6곡으로 이루어져있는데, 이 가운데 5곡이 바흐의 2번째 아내 안나 막달레나에게 바쳐졌습니다. 1720년 최초의 아내 마리아 바르바라가 갑자기 세상을 떠난뒤 바흐는 쾨텐의 궁정가수였던 안나를 아내로 맞아들였고 새 아내를 위해 "안나 막달레나를 위한 클라비어소곡집"을 작곡했습니다. 이 가운데 "프랑스모음곡"의 5곡이 포함되어 있으며 신혼시기인 1722년 무렵의 작품으로 추정되고 있습니다. 쾨텐시절의 바흐는 창작의욕이 왕성한데다가 쾨텐의 궁정에 베를린에서 만든 새로운 하프시코드가 구입되는 등 좋은 환경이었기 때문에 중요한 작품(기악곡의 대부분)들이 나오게 된것입니다. 물론 "프랑스모음곡"도 마찬가지입니다. "프랑스모음곡"은 "영국모음곡"처럼 전통적인 고전모음곡의 형식에 따라 작곡되었으며 독일적인 알라망드(Allemande), 프랑스적인 쿠랑트(Courante), 스페인적인 사라방드(Sarabande), 영국적인 지그(Gigue)라는 양식화된 4개의 기본을 중심으로 당시 유행하고 있던 가보트(Gavotte), 미뉴에트(Menuet), 폴로네이즈(Polonaise), 파스피에(Passepied) 등의 춤곡을 사라방드와 지그 사이에 넣었습니다. 그러면서도 "프랑스모음곡"에는 "영국모음곡"에서 처럼 각곡의 처음에 전주곡이 없으며 "영국모음곡"에 비하여 규모가 작으며 연주도 비교적 쉽지만 고도로 세련된 아름다움에 더욱 완성된 바로크 모음곡의 전형을 발견할 수 있습니다. 표제는 바흐 자신이 붙인 것은 아니며, 두 모음곡 모두 6곡으로 이루어져 있습니다 |
Richard Egarr (Biography) In the decade of the 1990s Richard Egarr's career as a harpsichordist quickly developed, and he began to get attention as a conductor. As a boy he was a chorister at York Minster, a position that included complete musical training. He learned piano and organ, studying both at Chetham's School of Music in Manchester from age 13. He earned his diploma in organ playing at 16 and became an organ scholar at Manchester Cathedral, then at Clare College Oxford. The position of organ scholar -- there are generally two at any one time -- is part of the tradition of university chapel choirs in the major British universities. An organ scholar receives a full scholarship to the College and participates in daily services with the College chapel choir throughout the academic year. Egarr began playing harpsichord while at Oxford, and gained his bachelor of music degree in harpsichord in 1986. He pursued studies in that instrument with David Roblou at Guildhall School of Music and Drama in London, and in private studies with Gustav Leonhardt in Amsterdam, the later on a scholarship from the Dutch government. In 1988 he entered the International C.P.E. Bach Fortepiano-Clavichord-Harpsichord Competition in Hamburg, Germany, winning first prize. He began appearing as a harpsichord soloist and in 1991 became the harpsichordist of London Baroque, one of the leading early music ensembles. He held that position until 1995, then became director of the Academy of the Begijnhof, Amsterdam. He appears regularly in leading music festivals in Europe, the U.S., and Japan. He has begun conducting the Hanover Band, appearing with it live on BBC Radio 3 from the 1999 Warwick Festival, and in an all-Bach program at the Dieppe Early Music Festival, also in 1999. EMI Records promoted his developing career by releasing a recording on its Debut series of lower-cost releases by new artists. His recording of the complete keyboard works of Froberger (the first ever) has been received with wide critical praise. Egarr also paired up with violinist Andrew Manze to record Handel's violin sonatas and a disc of Bach harpsichord concertos. He was also named music director of the Academy of Ancient Music for the 2006-2007 season and associate artist with the Scottish Chamber Orchestra in 2011.
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Richard Egarr Harmonia Mundi Richard Egarr brings a joyful sense of adventure and a keen, enquiring mind to all his music-making, whether conducting, directing from the keyboard or playing concertos (on organ, harpsichord, fortepiano or modern piano), giving solo recitals or playing chamber music.
Music Director of the Academy of Ancient Music since 2006 and a regular guest director with such other ensembles as Handel and Haydn Society and Tafelmusik, he is increasingly sought-after by non-period orchestras ranging from the Scottish, Swedish and Australian chamber orchestras to the Rotterdam Philharmonic, Berlin Konzerthausorchester, and Dallas Symphony Orchestra. He conducts a broad range of repertoire from Monteverdi to Mendelssohn. The Handel and Bach oratorios lie at the heart of his repertoire, and he has a growing reputation in the operatic field – current plans include Mozart’s La finta giardiniera with the Academy of Ancient Music at the Barbican Centre and the Théâtre des Champs-Élysées, and Rossini with the Netherlands Opera Academy. He made his Glyndebourne debut in 2007 conducting a staged St Matthew Passion. Richard Egarr is in demand across Europe, Japan and the USA for his scintillating solo and concerto performances, and for many years had a close partnership with violinist Andrew Manze. He records exclusively for harmonia mundi USA. His solo output comprises works by Frescobaldi, Gibbons, Couperin, Purcell, Froberger, Mozart, and J. S. Bach (Goldberg Variations and Well-Tempered Clavier). He has an impressive list of award-winning recordings with Andrew Manze, including sonatas by Bach, Biber, Rebel, Pandolfi, Corelli, Handel, Mozart, and Schubert. With the Academy of Ancient Music he has recorded J. S. Bach’s harpsichord concertos and Brandenburg Concertos. In Handel year 2009 they completed a seven-CD series of Handel discs including the instrumental music opp.1, 2 and 5, the Concerti grossi op.3 (which won a Gramophone Award in 2007) and the Organ Concertos op.4 (MIDEM Award and Edison Award 2009) and op.7.Richard Egarr trained as a choirboy at York Minster, at Chetham’s School of Music in Manchester, and as organ scholar at Clare College Cambridge. His studies with Gustav and Marie Leonhardt further inspired his work in the field of historical performance. |
 잘생긴 꾀꼬리 꽃미남 리차드강 어리버리 돈키호테.
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