앨범: 바로크 시대의 대표곡 50 - John Eliot Gardiner, cond (2013 Decca)

50 Baroque Masterpieces 앨범: 바로크 시대의 대표곡 50 Various Artist (2013 Decca) 1. Prologo - Toccata - Track 전곡연주 　 Album Title: 50 Baroque Masterpieces. Composer: Various Artist Conductor: John Eliot Gardiner (1943 - ) Audio CD (1 January 2013) Label: Decca / Universal Music Ltd (UMO) Copyright: (C) ℗ 2013 Decca, a division of Universal Music Operations Limited Total Length: 3:36:10 Genres: Classical, Music 1-4. La favola d'Orfeo, opera, SV 318  (18:14)    Composer   Claudio Monteverdi (1567 - 1643)    Conductor   John Eliot Gardiner    Performer   Mark Tucker (Tenor): Track 2                       Nancy Argenta (Soprano): Track 2                       John Tomlinson (Bass): Track 3                       Anthony Rolfe Johnson (Tenor): Track 4    Choir/Chorus   The Monteverdi Choir: Track 2    Ensemble   English Baroque Soloists    Genre   Baroque Period / Opera    Date Written   1607; Mantua, Italy    Period   Baroque    Country   Italy    Language   Italian    Venue   EMI Abbey Road Studios, London    Recording Date   12/1985 1. Prologo - Toccata   (1:36) 2. Act I - "In questo lieto e fortunato giorno" - "Vieni, Imeneo" - "Muse, onor di Parnasso"   (3:28) 3. Act III - "O tu ch'innanzi morte"   (2:12) 4. Act III - "Possente spirto"   (8:23) 5-7. Vespro della beata vergine, for chorus & instruments, SV 206  (11:39)    Composer   Claudio Monteverdi (1567 - 1643)    Conductor   John Eliot Gardiner    Performer   Alastair Miles (Bass)                       Ann Monoyios (Soprano)                       Bryn Terfel (Bass)                       Marinella Pennicchi (Soprano)                       Mark Tucker (Tenor)                       Nigel Robson (Tenor)                       Christopher Wilson (Lute)                       Jakob Lindberg (Lute)                       His Majestys Sagbutts & Cornetts (Cornet)    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period / Vespers    Date Written   1610; Mantua, Italy    Period   Baroque    Country   Italy    Language   Latin    Venue   Live At Basilica Di San Marco (St Mark's), Venice, Italy    Recording Date   05/1989 5. Dixit Dominus a 6   (7:12) 6. Nisi Dominus a 10   (4:35) 7. Audi coelum a 8    (8:35) 8. Exultent caeli et gaudeant angeli, motet for 5 voices, SV 304  (7:42)    Composer   Claudio Monteverdi (1567 - 1643)    Conductor   John Eliot Gardiner    Performer   John Angelo Messana (Countertenor)                       Martyn Hill (Tenor)    Choir/Chorus   The Monteverdi Choir    Ensemble   Philip Jones Brass Ensemble    Genre   Baroque Period / Motet    Date Written   circa 1629; Italy    Period   Baroque    Language   Latin    Venue   Kingsway Hall, London, England    Recording Date   04/1972    Note   Trans. Denis Arnold/Edited for performance by John Eliot Gardiner 9. L' incoronazione di Poppea, opera in 3 acts, SV 308: Act III: Pur ti miro (Poppea, Nerone)[Final Duet]  (4:09)    Common Name   L' Incoronazione Di Poppea Opera In 3 Acts Sv 308    Composer   Claudio Monteverdi (1567 - 1643)    Conductor   John Eliot Gardiner    Performer   Sylvia McNair (Soprano)                       Dana Hanchard (Soprano)    Ensemble   English Baroque Soloists    Genre   Baroque Period / Opera    Date Written   1642; Venice, Italy    Period   Baroque    Country   Italy    Language   Italian 10. Hodie Christus natus est: O magnum mysterium, motet for 8 voices  (4:40)    Composer   Giovanni Gabrieli (circa 1555 - 1612)    Conductor   John Eliot Gardiner    Choir/Chorus   The Monteverdi Choir    Ensemble   The Philip Jones Brass Ensemble    Genre   Motet / Renaissance Period / Sacred Music    Period   Renaissance    Country   by 1587; Italy    Language   Latin    Venue   Kingsway Hall, London, England    Recording Date   04/1972    Note   Trans. Denis Arnold (1926/86)/Ed.for perf.John Eliot Gardiner (1943-) 11. Geistliche Chormusik, motets (29) for voices & continuo, SWV 369-397 (Op. 11/28): "Auf dem Gebirge hat man ein Geschrei gehöret", SWV 396  (5:37)    Catalog No.   SWV 369    Composer   Heinrich Schütz (1585 - 1672)    Conductor   John Eliot Gardiner    Performer   Michael Chance (Countertenor)                       Ashley Stafford (Countertenor)                       Valerie Botwright (Double Bass)                       His Majesties Sagbutts and Cornetts (Cornet)    Ensemble   English Baroque Soloists    Genre   Baroque Period / Motet    Period   Baroque    Date Written   1648; Germany    Language   German    Venue   Rosslyn Hill Chapel, Hampstead, London    Date of Recording   04/1987 12. Symphoniae sacrae, Op. 12, motet for 2 sopranos, alto, tenor, 2 basses, 2 violins & continuo, SWV 415 (Op. 12/18): Concert: "Saul, Saul, was verfolgst du mich?"  (3:20)    Composer   Heinrich Schütz (1585 - 1672)    Conductor   John Eliot Gardiner    Performer   Carol Hall (Soprano)                       Michael Chance (Countertenor)                       Simon Birchall (Baritone)                       Lawrence Wallington (Baritone)                       Frieder Lang (Tenor)                       Ruth Holton (Soprano)                       His Majesties Sagbutts and Cornetts (Cornet)                       Alastair Ross (organ)    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period / Motet    Period   Baroque    Written   1650; Germany    Language   German    Venue   Rosslyn Hill Chapel, Hampstead, London    Date of Recording   04/1987 13. O bone Jesu, fili Mariae, for 2 sopranos, 2 altos, tenor, bass, 2 violins, 4 violes & continuo, SWV 471  (7:42)    Composer   Heinrich Schütz (1585 - 1672)    Conductor   John Eliot Gardiner    Performer   Ruth Holton (Soprano)                       Jean Knibbs (Soprano)                       Ashley Stafford (Countertenor)                       Nicholas Robertson (Tenor)                       Paul Tindall (Tenor)                       Richard Savage (Bass)    Choir/Chorus   The Monteverdi Choir, Fretwork    Ensemble   English Baroque Soloists    Genre   Baroque Period    Date Written   ?1666; Germany    Period   Baroque    Language   Latin    Venue   St Giles' Church, Barbican, London    Date of Recording   09/1988 14. Membra Jesu Nostri, cantata in 7 sections for SSATB voices, 2 violins, 5 violas da gamba, violone & continuo, BuxWV 75: II. Ad genua  (7:14)    Composer   Dietrich Buxtehude (circa 1637 - 1707)    Conductor   John Eliot Gardiner    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period    Date Written   1680; Germany    Period   Baroque    Language   Latin    Venue   St Giles' Church, Barbican, London    Date of Recording   09/1988 15-17. The Fairy Queen, semi-opera, Z. 629  (10:32)    Common Name   The Fairy Queen Semi Opera    Catalog No.   Z 629    Composer   Henry Purcell (1659 - 1695)    Conductor   John Eliot Gardiner    Performer   David Thomas (Bass)                       Elisabeth Priday (Soprano)                       Judith Nelson (Soprano)                       Wynford Evans (Tenor)    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period / Opera / Semi-opera    Date Written   1689-1692; England    Period   Baroque    Country   England    Language   English    Venue   Stadthalle, Göttingen, Germany    Recording Date   06/1981 15. Act I: Prelude  (1:57) 16. Act I: Scene of the Drunken Poet: "Fill Up the Bowl"  (6:39) 17. Act II: Prelude - Come, All Ye Songsters of the Sky  (1:53) 18-19. Dido and Aeneas, opera, Z. 626  (9:07)    Catalog No.   Z 626    Composer   Henry Purcell (1659 - 1695)    Conductor   John Eliot Gardiner    Performer   Donna Deam (Soprano)                       Shauna Beesley (Soprano)                       Teresa Shaw (Mezzo-Soprano)                       Carolyn Watkinson (Mezzo-soprano, Contralto)    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period / Opera    Date Written   1689    Period   Baroque    Country   United Kingdom 18. Act II: Prelude for the Witches, "Wayward Sisters"  (5:02) 19. Act III: "Thy Hand, Belinda...When I Am Laid in Earth"  (4:05) 20-21. Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & continuo in D major, RV 589  (7:01)    Composer   Antonio Vivaldi (1678 - 1741)    Conductor   John Eliot Gardiner    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period / Gloria    Date Written   1715; Venice, Italy    Period   Baroque    Country   Italy    Venue   All Hallow's Church, Gospel Oak, London, England    Recording Date   11/26/1998-11/29/1998 20. Gloria in excelsis Deo  (2:14) 21. Et in terra pax hominibus  (4:47) 22-25. St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b)  (12:14)    Catalog No.   BWV 244    Composer   Johann Sebastian Bach (1685 - 1750)    Conductor   John Eliot Gardiner    Performer   Ann Monoyios (Soprano)    Choir/Chorus   The Monteverdi Choir & The London Oratory Junior Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period    Date Written   Circa 1727-1736; Leipzig, Germany    Period   Baroque    Language   German    Venue   The Maltings, Snape, Concert Hall, Aldeburgh, England    Recording Date   04/1988 22. Part. 1: No. 1 Chorus I/II. "Kommt, ihr Töchter, helft mir klagen"  (6:56) 23. Part. 1: No. 3 Choral. "Herzliebster Jesu, was hast du verbrochen"  (0:38) 24. Part. 1: No. 8 Aria (Soprano). "Blute nur, du liebes Herz"  (4:42) 25. Part. 1: No. 15 Choral. "Erkenne mich, mein Hüter"  (0:50) 26-28. Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Part. 1 "For the First Day of Christmas"  (13:04)    Catalog No.   BWV 248    Composer   Johann Sebastian Bach (1685 - 1750)    Conductor   John Eliot Gardiner    Performer   Olaf Bär (Baritone)                       Crispian Steele-Perkins (Trumpet)    Choir/Chorus   The Monteverdi Choir    Ensemble   Members of the English Baroque Soloists    Genre   Baroque Period / Oratorio    Date Written   1734-1735; Leipzig, Germany    Period   Baroque    Country   Germany    Language   German    Venue   EMI Abbey Road Studios, London, England    Recording Date   01/1987    Notes   Composition written: Leipzig, Germany (1734 - 1735). 26. No. 1 Chorus. "Jauchzet, frohlocket"  (7:39) 27. No. 5 Choral. "Wie soll ich dich empfangen"  (1:03) 28. No. 8 Aria (Baß). "Großer Herr, o starker König"  (4:22) 29-30. St. John Passion (Johannespassion), BWV 245 (BC D2)  (16:02)    Catalog No.   BWV 245    Composer   Johann Sebastian Bach (1685 - 1750)    Conductor   John Eliot Gardiner    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period / Passion    Date Written   04/07/1724; Leipzig, Germany    Period   Baroque    Country   Germany    Language   German    Venue   All Saints Church, Tooting, London, England    Recording Date   03/1986 29. Part. 1: No. 1 Chorus. "Herr, unser Herrscher"  (9:13) 30. Part. 2: No. 39 Chorus. "Ruht wohl, ihr heiligen Gebeine"  (6:48) 31. Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Gloria - Gloria in excelsis Deo  (1:43)    Common Name   Mass For For Chorus & Orchestra    Catalog No.   BWV 232    Composer   Johann Sebastian Bach (1685 - 1750)    Conductor   John Eliot Gardiner    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period / Mass    Date Written   1748-1749; Leipzig, Germany    Period   Baroque    Language   Latin    Venue   All Saint's Church, Tooting, London, England    Recording Date   02/1985 32. Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 (BC A134): Aria: Jauchzet Gott in allen Landen  (4:03)    Common Name   Cantata 51    Catalog No.   BWV 51    Composer   Johann Sebastian Bach (1685 - 1750)    Conductor   John Eliot Gardiner    Performer   Emma Kirkby (Soprano)    Ensemble   English Baroque Soloists    Genre   Baroque Period / Solo Cantata    Date Written   09/17/1730    Period   Baroque    Language   German    Venue   London, England    Recording Date   11/1983 33. Cantata No. 61, "Nun komm, der Heiden Heiland," BWV 61 (BC A1): III. Aria "Komm, Jesu, komm zu deiner Kirche" (Tenor)  (4:17)    Common Name   Nun Komm, Der Heiden Heiland, Cantata 61    Catalog No.   BWV 61    Composer   Johann Sebastian Bach (1685 - 1750)    Conductor   John Eliot Gardiner    Performer   Anthony Rolfe Johnson (Tenor)    Ensemble   English Baroque Soloists    Genre   Baroque Period / Cantata    Date Written   12/02/1714; Cöthen, Germany    Period   Baroque    Language   German    Venue   Blackheath Concert Halls, London, UK    Recording Date   01/1992 34. Cantata No. 82, "Ich habe genug," BWV 82 (BC A169): I. Aria: Ich habe genug, ich habe den Heiland  (6:56)    Common Name   Ich Habe Genug, Cantata 82    Catalog No.   BWV 82    Composer   Johann Sebastian Bach (1685 - 1750)    Conductor   John Eliot Gardiner    Performer   Peter Harvey (Baritone)    Ensemble   English Baroque Soloists    Genre   Baroque Period / Cantata    Date Written   02/02/1727; Cöthen, Germany    Period   Baroque    Country   Germany    Venue   Christchurch, Dorset, Priory Church    Recording Date   02/2000 35. Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"), BWV 106 (BC B18): I. Sonatina  (2:32)    Common Name   Cantata 106    Catalog No.   BWV 106    Composer   Johann Sebastian Bach (1685 - 1750)    Conductor   John Eliot Gardiner    Ensemble   English Baroque Soloists    Genre   Baroque Period / Cantata / Choral Cantata / Sacred Music    Date Written   1707-1708; Mühlhausen, Germany    Period   Baroque    Country   Germany    Venue   Smith Square, St. John's, London, Englan    Recording Date   09/1989 36. Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166): Chor. "Wachet auf, ruft uns die Stimme"  (6:17)    Common Name   Wachet Auf, Ruft Uns Die Stimme, Cantata 140    Catalog No.   BWV 140    Composer   Johann Sebastian Bach (1685 - 1750)    Conductor   John Eliot Gardiner    Performer   Anthony Rolfe Johnson (Tenor)                       Richard Earle (Oboe)    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period / Cantata / Sacred Music    Date Written   11/25/1731; Leipzig, Germany    Period   Baroque    Country   Germany    Language   German    Recording Date   03/1990 37. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Choral: X. "Jesus bleibet meine Freude"  (2:28)    Common Name   Herz Und Mund Und Tat Und Leben, Cantata 147    Catalog No.   BWV 147    Composer   Johann Sebastian Bach (1685 - 1750)    Conductor   John Eliot Gardiner    Performer   Crispian Steele-Perkins (Trumpet)    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period / Cantata / Sacred Music    Date Written   07/02/1723    Period   Baroque    Country   Germany    Language   German    Recording Date   03/1990 38-39. Solomon, oratorio, HWV 67  (6:16)    Common Name   Solomon Oratorio    Catalog No.   HWV 67    Composer   George Frederick Handel (1685 - 1759)    Conductor   John Eliot Gardiner    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period / Oratorio    Date Written   1748-1749; London, England    Period   Baroque    Country   England    Language   English    Venue   London, England    Recording Date   06/1984 38. Act I: "May No Rash Intruder"  (3:18) 39. Act III: The Arrival of the Queen of Sheba  (2:58) 40-43. Saul, oratorio, HWV 53  (13 :31)    Catalog No.   HWV 53    Composer   George Frederick Handel (1685 - 1759)    Conductor   John Eliot Gardiner    Performer   Lynne Dawson (Soprano)                       Alastair Miles (Bass)    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period / Oratorio    Date Written   1738-1739; London, England    Period   Baroque    Language   English    Venue   Kloster Eberbach, Eltville am Rhein, Ger    Recording Date   05/1997    Notes   Composition written: 1738. Composition revised: Germany. 40. Act I: 20. Symphony - 21. Recitative. Already See - 22. Chorus. Welcome, Welcome Mighty King!  (2:46) 41. Act I: 23. Accompagnato. What Do I Hear? - 24. Chorus. David His Ten Thousands Slew - 25. Accompagnato. To Him Ten Thousands!  (1:09) 42. Act III: 77. March (Live in Göttingen / 1989)  (3:06) 43. Act III: 86. Chorus. Gird on Thy Sword (Live in Göttingen / 1989)  (5:20) 44. Hercules, oratorio, HWV 60: Act III: Sinfonia  (2:45)    Catalog No.   HWV 60    Composer   George Frederick Handel (1685 - 1759)    Conductor   John Eliot Gardiner    Ensemble   English Baroque Soloists    Genre   Baroque Period / Oratorio    Date Written   1744; London, England    Period   Baroque    Language   English    Notes   Composition written: 1744. Composition revised: Germany. 45-48. Messiah, oratorio, HWV 56  (11:19)    Catalog No.   HWV 56    Composer   George Frederick Handel (1685 - 1759)    Conductor   John Eliot Gardiner    Performer   Anthony Rolfe Johnson (Tenor)                       Margaret Marshall (Soprano)    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Baroque Period / Oratorio    Date Written   1741; London, England    Period   Baroque    Country   England    Venue   London, England    Recording Date   11/1982 45. Part. 1: I. Accompagnato. Comfort Ye, My People  (2:22) 46. Part. 1: III. Chorus. And the Glory of the Lord  (2:40) 47. Part. 1: XII. Chorus. For unto Us a Child Is Born  (4:01) 48. Part. 2: 36. Air. How Beautiful Are the Feet  (2:16) 49. Dixit Dominus, hymn for soloists, chorus & orchestra in G minor, HWV 232: Die Torrente in via bibet  (4:15)    Catalog No.   HWV 232    Composer   George Frederick Handel (1685 - 1759)    Conductor   John Eliot Gardiner    Performer   Angela Kazimierczuk (Soprano)                       Katherine Fuge (Soprano)    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Psalm / Romantic Period / Sacred Music    Date Written   1707; Italy    Period   Romantic    Language   Latin    Venue   All Hallows Church, Gospel Oak, London    Recording Date   11/1998    Notes   Composition written: 1707. Composition revised: Italy. 50. Coronation Anthems (4): No. 1 for chorus & orchestra, HWV 258: "Zadok the Priest"  (5:45)    Catalog No.   HWV 258    Composer   George Frederick Handel (1685 - 1759)    Conductor   John Eliot Gardiner    Choir/Chorus   The Monteverdi Choir    Ensemble   English Baroque Soloists    Genre   Anthem / Baroque Period    Date Written   1727; London, England    Period   Baroque    Language   English    Country   United Kingdom    Recording   Live    Venue   Eglise du Liban, Paris, France    Recording Date   06/1993 Love Peace Freedom 　 　 Gardiner 　 　 John Eliot Gardiner is GOD. Biography Born: 20 April 1943 in Springhead, Dorset, England Genre: Classical Years Active:  '90s John Eliot Gardiner is one of the leading conductors in the active authentic performances movement in England, performing Baroque music but also extending his range into later repertoire. He first conducted at the age of 15, and after finishing school he studied at King's College, Cambridge. While still an undergraduate, he conducted the combined Oxford and Cambridge Singers on a 1964 tour of the Middle East and founded the Monteverdi Choir, which has consistently performed on his recordings since. After graduation, he went to Paris to study with Nadia Boulanger and then studied as a postgraduate at King's College, London, with early music leader Thurston Dart. His first notable engagement as a conductor was at a Promenade Concert in London in 1969 and he first conducted an opera in London (Gluck's Iphigénie en Tauride) at Covent Garden in 1973. He had continued conducting the Monteverdi Choir, then founded the English Baroque Soloists, specializing in Baroque music played on original-style instruments. The EBS first appeared at the 1977 Innsbruck Festival of Early Music and has appeared with the Monteverdi Choir on many recordings. He made his American debut in 1979 leading the Dallas Symphony Orchestra, part of an active and often overlooked aspect of his career: conducting standard repertoire on modern instruments. This included a period as principal conductor (1980-1983) of the CBC Vancouver Symphony Orchestra; music director of the Opera de Lyon (1983-1988), which included founding an entirely new orchestra; and principal conductor of the North German Radio Symphony Orchestra in Hamburg (1991-1994). He expanded his activities in the original-style instruments movement by recognizing that from the Classical era and well into the Romantic age there were distinctly different instrument designs than those that are standard today. As a result, he founded another new orchestra, the Orchéstre Révolutionnaire et Romantique, to specialize in that period with authentic instruments. He has also been an active guest conductor, leading major orchestras of the world, including the Cleveland, Berlin Philharmonic, Royal Concertgebouw, Vienna Philharmonic, and Philharmonia orchestras, and has conducted the Puccini opera Manon Lescaut at Glyndebourne. He led a cycle of all seven mature Mozart operas and has conducted over 250 recordings on Deutsche Grammophon and Erato labels. He and Herbert von Karajan share the record for the most Gramophone Awards in a single year (three), while Gardiner has won more of them over the years than any other artist. The year 2000 marked the beginning of the Bach Cantata Pilgrimage, where Gardiner led performances of the complete sacred cantatas in the United States and Europe. He followed up this project with a 2004 tour around Spain with the Monteverdi Choir, performing selections from the Codex Compostelanus in churches along the Way of St. James.  곧 미남 리차드강 어리버리 돈키호테.