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펜데레츠키: 교향곡 5번 '한국' - Antoni Wit, Conductor

리차드 강 2010. 12. 9. 12:50

Symphony No. 5 "KOREA"

펜데레츠키: 교향곡 5번 '한국'

Krzysztof Penderecki 1933-

Track No.1 - Symphony No. 5 (37:37)

 

Album Title: Penderecki: Orchestral Works, Vol. 2
                        Symphonies Nos. 1 & 5

Komponist: Krzysztof Penderecki (Polish composer and conductor)
Orchestra: The National Polish Symphony Orchestra in Katowice
Conductor: Antoni Wit
Audio CD (24. Januar 2000)
Recording: 1999
SPARS-Code: DDD
Recorded in: Stereo
Label: Naxos (Naxos Deutschland Musik & Video Vertriebs-)

     

South Korean photos

 

Mysterious Night

Here's an old favourite of mine which I haven't posted on flickr yet. Thought I'd share it.

Brief info
Like many other Asian countries, Korea has two different New Year's days according to solar and lunar calendars. The more widely preferred one is the lunar New Year's day, called So-lal.

Located near the summit of Mt. Tohamsan, east of the historic city of Gyeongju, this bell pavilion was the site of a bell-ringing ceremony celebrated in Korea during the solar new year. At midnight the bell is rung almost a hundred times to bring in the new year. The background smoke was created from a performance by traditional dancers in front of the bell pavilion. Glad I was able to be there to witness the beautifully lit structure along with the serene performances throughout the night. A nice change from the rowdy parties that take place back in Canada.

Photo was taken at 11:50pm, minutes away from the new year(2004).

     

 

This photo was featured in a multimedia photo exhibition at a science museum in Trieste, Italy in 2004. It is currently still being displayed at various locations in that area.

     

 

Traditional Roof Lines This is a photo from my favourite temple in Korea - Bulguksa Temple in the historic city of Gyeong Ju. The roof lines made for a great composition. 1 RAW HDR.

     

 

Welcome twilight

     

 

Korean Doll

     

 

Changdeokgung 9

     

 

Korean Bell of Friendship
This massive and intricately-decorated bell and pavilion was donated in 1976 to the people of Los Angeles by the people of the Republic of Korea to celebrate the bicentennial of the U.S. independence, honor veterans of the Korean War, and to consolidate traditional friendship between the two countries. The bell is patterned after the Bronze Bell of King Songdok, which was cast in 771 A.D. and is still on view in South Korea today.

The bell was cast in Korea and shipped to the United States. Weighing 17 tons, with a height of twelve feet and a diameter of 7-1/2 feet, the bell is made of copper and tin, with gold, nickel, lead and phosphorous added for tone quality. When it was built, it cost the Korean people $500,000. Four pairs of figures, each pair consisting of the Goddess of Liberty holding a torch, and a Korean spirit , are engraved in relief on the body of the bell. Each of the Korean spirits holds up a different symbol: a symbolic design of the Korean flag; a branch of the rose of Sharon, Korea's national flower; a branch of laurel, symbol of victory; and a dove of peace. The bell has no clapper but is struck from the outside with a wooden log.

The bell is set in a pagoda-like stone structure which was constructed on the site by thirty craftsmen flown in from Korea. It took them ten months and costs $569,680. The pavilion is supported by twelve columns representing the twelve designs of the Oriental zodiac. Animals stand guard at the base of each column.

Resting peacefully on the knoll overlooking the sea gate from which U.S. troops sailed into the Pacific, the bell site affords an unsurpassed view of the Los Angeles harbor, the Catalina Channel and the sea terraces of San Pedro hill. The bell is rung only four times each year: the Fourth of July, August 15 (Korean Independence Day) and New Year's Eve, and every September to coincide with bell ringings around the country to celebrate Constitutuon week.

     

 

Frozen Winter at Gyeongbokgung, a palace in Seoul, South Korea.

     

 

Seoul Imperial Palace Garden Pavillon

     

 

Folk Music & Dance Changgyeong Palace Seoul, South Korea May 2006

     

 

A Korean Fan One of the talented performers who featured in 'Choon-Hyang: A Love Story of the Far East', performed by a young cast from South Korea, at the 2006 Edinburgh Fringe.

     

 

The Beat Goes on Another of my Fringe shots from 2005, featuring a member of the Ari-Corea company from South Korea, who were a delight to photograph.

     

 

Before the parade Seoul Lantern festival South Korea
(lantern festival 2006)Taken at the Seoul Lantern festival. These two are waiting to start on the parade. Seoul South Korea © All rights reserved.

     

 

Suwon's citizen festival. Edge of a drum Suwon
This was taken last October in Suwon. It is the edge of a drum. Suwon South Korea

     

 

Seoul I Alley near Gwanghwamun, Seoul

     

 

Seoul subway

     

 

Rainy Seoul

     

 

Busan
at that time i was so extremely cold with my hands and body shaking and almost not being able to hold my camera firmly... but the lighhouse seen from the fisherman boat was again worth it.

     

 

Side Dishes In Korea, expect a large table setting with lots of side dishes in many different tastes and levels of spicyness. on this table there are a total of 20 side dishes excluding sauces/pastes. I especially enjoyed the bamboo made with red pepper paste. Yum!

     

 

Gate corner

     

 

Seoul at Night Downtown Seoul, Korea at Night.

     

 

Hyangwonjong in fall

     

 

From the mist an angel emerges Probably best viewed a little larger - the size reduction does something not quite right to the dry ice mist.

This was another visually stunning performance, though most of the shots I took had something way wrong with them. I'd have been way happier if I;d just been sitting 2-3m to the right. But I still like this!!

     

 

Fall leaves beautiful fall in Korea

     

 

Foggy ilsan lamp This day was very foggy. It was taken on one of the overpasses near my apartment.

     
     

     

Notes & Reviews

It is a trite assumption that by association with Krzysztof Penderecki's Polish identity, a performance of his work by a Polish conductor and orchestra suggests itself to be naturally definitive. In this case however, it may be true. As a former student of Penderecki's, Antoni Wit brings authoritative insight to his direction of the National Polish Radio Symphony Orchestra on this three volume set of Penderecki's orchestral works. The pieces are not presented chronologically. Instead, each disc pairs earlier and later works, which provides a good comparison of the composer's earliest groundbreaking work to his later neo-romantic symphonies.
The first volume is an interesting mix of music, matching the retrospective Third Symphony with earlier and more innovative works such as 'Threnody for the Victims of Hiroshima,' 'Flourescences,' and 'De Natura Sonoris 2.' These are pieces of great sonic and formal experimentation. 'Threnody' uses microtonal wails in the strings to deeply disturbing but beautiful effect. In 'Flourescences,' Penderecki uses percussion and polyrhythm sculpturally as much as to define rhythm. Strange metallic rumbling, a typewriter, and droning glissandi in the strings add to the atmosphere of a world where sounds, not pitch or harmony, govern form.
REVIEWS:
American Record Guide (5-6/00, pp.165-66) - Recommended.

     
     

     
     
     

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