죠스캥 데프레 : 모테트 모음집 - Orlando Consort

Motets 죠스캥 데프레 : 모테트 모음집 Josquin Desprez (circa 1455 - 1521) 1. Inviolata, integra, et casta es Maria 　 Album Title: Josquin Desprez: Motets Composer: Josquin Des Préz Country: England Style: Early music Vocal Ensemble: Orlando Consort-Robert Harre Jones (alto)                             Charles Daniels (tenor)                             Angus Smith (tenor)                             Don Greig (baritone) Performers: Andrew Carwood (tenor), Robert Macdonald (bass)    Period: Renaissance    Genre: Motet / Renaissance Period    Recording Location Venue: St. Osdag Kirche, Mandelsloh, Neustadt, Germany    Recording Date: 04/1999 Producer: David Murray Liner Notes: Emanuel Overbeeke Balance Engineer: Gregor Zielinsky Audio CD (02 Oct. 2000) SPARS Code: DDD Number of Discs: 1 Mono/Stereo: Stereo Format: Import Label: Archiv Produktion (APO) / Brilliant Classics/koch Audio Copyright: (C) 2000 Deutsche Grammophon GmbH, Hamburg Total Length: 1:10:33 Genres: Classical    Composer   Josquin Desprez (circa 1455 - 1521)    Period   Renaissance    Venue   St. Osdag Kirche, Mandelsloh, Neustadt,    Recording Date   04/1999 1. Inviolata, integra, et casta es Maria à 5  (5:44)    Common Name   motet for 5 parts    Performer   Robert MacDonald (Bass)    Genre   Motet / Renaissance Period    Date Written   by 1502 2. Ut Phoebi radiis à 4  (5:32)    Common Name   motet for 4 parts    Genre   Motet / Renaissance Period 3. De profundis clamavi à 5  (5:11)    Common Name   motet for 5 parts (poss. spurious)    Performer   Robert MacDonald (Bass)    Genre   Motet / Psalm / Renaissance Period / Requiem 4. Christe Fili Dei - J'ay pris amours à 4  (2:59)    Common Name   motet for 4 parts, Vultum Tuum (7th part of motet cycle "Vultum tuum")    Genre   Motet / Renaissance Period 5. O Virgo virginum à 6  (7:43)    Common Name   motet for 6 parts    Performer   Andrew Carwood (Tenor)                       Robert MacDonald (Bass)    Genre   Motet / Renaissance Period / Sacred Music    Country   France 6~12. Vultum tuum deprecabuntur à 4  (20:19)    Common Name   7-section motet cycle for 4 parts    Genre   Motet / Renaissance Period 6. Vultum tuum deprecabantur   2:28 7. Ave Maria, gratia plena   2:36 8. Sancta Dei genitrix   2:12 9. O intemerata Virgo   3:29 10. O Maria, nullamtam gravem (à 5)   3:01 11. Mente tota tibi supplicamus   3:39 12. Orta pro nobis   3:34 13. La déploration de Johannes Ockeghem: Nymphes des bois à 5  (4:32)    Common Name   Requiem aeternam/Deploration de la Mort de Jehan Ockeghem, lament for 5 parts    Performer   Robert MacDonald (Bass)    Genre   Motet / Renaissance Period    Date Written   1497    Country   France 14. O bone et dulcis Domine Jesus - Pater noster - Ave Maria à 4  (4:00)    Common Name   motet for 4 parts    Genre   Motet / Renaissance Period 15. Huc me sydereo descendere / Plangent eum à 5  (7:06)    Common Name   motet for 5 or 6 parts    Genre   Motet / Renaissance Period 16. O Virgo prudentissima / Beata Mater à 6  (6:50)    Common Name   motet for 6 parts    Performer   Andrew Carwood (Tenor)                       Robert MacDonald (Bass)    Genre   Motet / Renaissance Period / Sacred Music    Country   France Josquin Desprez: Motets 멜로디와 음악에 맞게 언어를 자유자래로 요리했던 작곡가이자 대위법의 천재, 죠스캥 데프레의 모테트를 수록했다. 죠스캥은 성경과 전례에서 사용되는 텍스트를 채택해 미사 작품에서는 보기힘든 창의성을 모테트에 발휘했다. '뛰어나고 매력적인 선곡… 죠스캥의 걸작을 담은 훌륭한 연주' - 그라모폰 Josquin Desprez: Motets "Relish the lovely sound of the Orlando Consort, revel in the sheer sensuality of the music and give yourselves the treat of being moved to tears by 'La Deploration', a loving memorial for a fellow great composer." —Classic FM "The Orlando Consort, singing one to a part, renders Josquin's complex with precise tuning, a medieval French pronunciation of the Latin texts and, above all, a terrific sense of the achievement of these pieces - especially in the massive 'O virgo virginum'. Delicious." [Performance: *****   Sound: *****] —BBC Music Magazine "Like great Renaissance paintings, great Renaissance music can transcend its own time to reveal the essence of our humanity. Josquin was arguably the greatest of Renaissance composers. The disc contains 16 examples of his art, including the sevenfold motet cycle Vultum tuum deprecabuntur, and ranging from the early Christe Fili Dei, whose top line is here experimentally sung to the text of the secular song on which it is based, to the Déploration de Johannes Ockeghem, a heartfelt tribute from one composer to another. It's fascinating to follow the development of Josquin's language from medieval decorative artifice - in Ut Phoebi radiis, for instance - to the intensely expressive polyphony of De profundis clamavi, where structure and emotion are as one. The Orlando Consort's performances are staggeringly beautiful." —The Sunday Times "Josquin Desprez (c1455-1521) was one of the greatest of renaissance polyphonists, and the Orlando Consort's scrupulous performances of some of his most magnificent achievements, using new and specially prepared editions of the motets, do full justice to his invention and imagination. In works such as the four-voice Ut Phoebi Radiis and the lament for Ockeghem, Nymphes des Boys, the singers generally take a neutral interpretative line, allowing Josquin's own sense of musical architecture to determine the rate at which the music unfolds, without adding any extra articulation of their own. Some might prefer a more interventionist approach, but the intrinsic beauty of the Orlando's singing disarms most criticism. The clarity of the recording, which keeps every voice distinct even in the densest six-part textures, is a huge asset." —The Guardian 　 Orlando Consort Biographyby Four young English singers were invited to tour Great Britain in 1988 by the Early Music Network. The group that resulted, the Orlando Consort, has become one of the most accomplished of its type, performing an extremely broad repertoire of vocal music largely from, but not limited to, the twelfth to fifteenth centuries. The four singers were not only chosen for their individual vocal talents (each a recognized soloist) and for their experience in early music ensembles (including the Tallis Scholars and both the Gabrieli and Taverner Consorts), but in particular for their intellectual command of their repertoire. The group has shown a particular concern for accurate performance practice, especially in their willingness to tackle issues such as improvisation and tuning. Such expertise has led to projects with scholars such as Gregorian chant scholar Richard Crocker and early English vocal expert Roger Wibberley, among many others; the group also received the Noah Greenberg Award of the American Musicological Society in 1996 for a collaborative project with Jeanice Brooks and Daniel Leech-Wilkinson. In addition to frequent performances at international festivals, the group has pursued an active recording schedule. Their remarkable discography has averaged one release for each year since their inception. Notable areas include early English music (John Dunstable and the recently discovered Worcester fragments), the Franco-Flemish school of composers (including Johannes Ockeghem and Josquin Desprez but also the obscure Loyset Compère), and Notre Dame polyphony (Léonin and Pérotin). Their recording John Dunstaple won the Early Music award from Gramophone magazine in 1996; Loyset Compère, Popes and Antipopes, and Worcester Fragments have also received nominations. Countertenor Robert Harre-Jones, tenors Angus Smith and Charles Daniels, and baritone Donald Greig have also pursued crossover projects, most notably their work with the jazz group Perfect Houseplants (Extempore) and for their planned medieval/modern War Requiem with actor Robert Hardy. Thomas Oram 잘생긴 꾀꼬리 꽃미남 리차드강 어리버리 돈키호테.