종교 聖음악

앨범: 하이든: 그리스도의 십자가 위의 일곱 말씀 - Carmina Quartet (Claves 2000)

리차드 강 2018. 3. 1. 13:04

Die 7 letzten Worte unseres Erlösers am Kreuze

하이든: 십자가 위의 일곱 말씀, Hob. XX:1A

Franz Joseph Haydn (1732 - 1809)

1 Introduzione, Maestoso ed Adagio - 전곡연주

 

 

Album Title: HAYDN: Die sieben letzten Worte unseres Erlösers am Kreuze

Composer: Joseph Haydn
Conductor: Pater Roman Bannwart
Choir: Schola Romana Lucernensis
Ensemble: Carmina Quartet

Audio CD (1 Feb 2000)
SPARS Code: DDD
Number of Discs: 1
Format: CD
Recorded in: Stereo
Recorded: 1999
Label: Cloves Records
Copyright: (C) 2000 Cloves Records
Total Length: 1:13:35
Genres: Classical Music, Instrumental, Easter
Period: Classical (1750-1830)
Styles: Choir, Quartet

     

     

1. Die 7 letzten Worte unseres Erlösers am Kreuze, Hob. XX:1A   (66:18)
   Common Name   Die Sieben letzten Worte unseres Erlösers am Kreuze
   Composer   Franz Joseph Haydn (1732 - 1809)
   Conductor: Pater Roman Bannwart
   Choir: Schola Romana Lucernensis
   Ensemble: Carmina Quartet
   Period   Classical
   Written   1787; Eszterhazá, Hungary
   Country   Eszterhaz, Hungary

1 Introduzione, Maestoso ed Adagio
2 In Monte Oliveti
3 Sonata I, Largo
4 Velum templi Scissum Est
5 Sonata II, Grave e Cantabile
6 Tristis Est Anima Mea
7 Sonata III, Grave
8 Tenebrae Factae Sunt
9 Sonata IV, Largo
10 Omnes Amici Mei
11 Sonata V, Adagio
12 Caligaverunt Oculi Mei
13 Sonata VI, Lento
14 Aestimatus Sum
15 Sonata VII, Largo
16 Il Terremoto, Presto e con tutta la forza

4:22
2:41
5:26
2:41
6:39
3:17
7:54
3:06
5:59
3:11
8:11
2:41
6:44
2:35
6:33
1:28

     

     

하이든: 십자가 위의 일곱 말씀

그리고 일곱 개의 그레고리안 성가

첫째 ... " 아버지 , 저들을 용서해 주십시오. 저들은 자기들이 무슨 일을 하는지 모릅니다 ." .......루카 23,34

둘째 ..." 내가 진실로 너에게 말한다. 너는 오늘 나와 함께 낙원에 있을것이다." .......루카 23,43

셋째..." 여인이시여, 이 사람이 어머니의 아들입니다. 이분이 네 어머니시다." ........요한 19,26-27

넷째 ... "엘리 엘리 레마 사박타니." (저의 하느님 , 저의 하느님, 어찌하여 저를 버리셨습니까?).......마르 15,34 마태 27,46

다섯째 ..." 목마르다."........요한 19,28

여섯째 ..."" 다 이루어 졌다." .........요한 19,30

일곱째 ..."제 영을 아버지 손에 맡깁니다 ." .........루카 23,46

하이든이 인용한 성서의 구절을 들려주는 그레고리안 성가의 안내를 통해 십자가위의 예수 그리스도를 보며,신성한 느낌마저 드는 카르미나 사중주단의 투명한 연주로 그의 <십자가 위의 일곱말씀>을 듣는다. 이 연주를 통해 감상자들은 하이든이 원했던 영혼의 치유를 얻을수 있을 것이다.

합창 지휘자: Pater Roman Bannwart
보컬: Schola Romana Lucernensis
연주자: Carmina Quartet

     

     

Carmina Quartet

Matthias Enderle, violin
Suzanne Frank, Violin
Wendy Champney, Viola
Stephan Goerner, Cello

The Carmina Quartet was founded in 1984. Their stylistically convincing interpretations, technical perfection and musical intensity earned them recognition as one of the leading contemporary string Quartet. They have been accompanied throughout their development by eminent teachers such as Sandor Végh, Nikolaus Harnoncourt and the La Salle Quartet.

Spectacular early successes at international competitions brought the Carmina Quartet to the attention of the critics and their international press and led to concert appearances throughout the world.

 In addition to the ensemble’s diverse concert activities, including regular appearances with eminent musicians such as Olaf Bär, Mitsuko Uchida and Barbara Hendricks, they made a large number of recordings. These have been recognized with awards such as the Gramophone Award, the Diapason d’or and a Grammy nomination in Los Angeles.

The Carmina Quartet has been “quartet in residence” at the Winterthur/Zurich School of Music (MWZ) since 1995.

     

Schola Romana Lucernensis

Founded in Lucerne in 1971, the Schola Romana Lucernensis is dedicated to the cultivation and performance of Gregorian chant; its regular director is Dominik Rickenbacher. The ensemble works in close collaboration with the choral director of the Abbey of Einsieldeln, Pater Roman Bannwart, who is also teacher at the Lucerne “Musikhochschule” (formerly the Academy for School and Church Music / Lucerne Conservatory). Pater Bannwart has assisted the group since its founding.

The Schola Romana Lucernensis has performed in Zurich, Basel, Rheinau and Wolkenstein (in Grödental), including in concerts with the Carmina Quartet.

They have also performed in concerts with the Lucerne Academy Choir, in conjunction with the Lucerne International Music Festival, for television DRS and at Comprecation Day concerts [Bettagskonzerten] at the Abbey of Einsiedeln.

The Schola Romana Lucernensis has worked closely with the Benedictine monks at the Abbey of Ensiedeln, striving to preserve the tradition of Gregorian chant and to make this music accessible to larger audiences. The members of the ensemble, which for some time has included female voices, view this as a their fascinating and gratifying chal

     

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