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알비카스트로: 삼중주 소나타, Op. 8 No 11 - Chiara Banchini, violin

리차드 강 2010. 9. 20. 15:50

Sonate En Trio, Op. 8 No 11

알비카스트로: 삼중주 소나타, Op. 8 No 11

Henrico Albicastro (1660 — 1730)

1. Adagio - 전악장 연주

 

Album Title: Albicastro - Cantatas Sonatas & Concertos

Title: Sonatas for 2 violins, cello & continuo "Sonate En Trio" Op.8 No. 11

Conductor - Chiara Banchini
Ensemble - Ensemble 415
Harpsichord [Clavecin] - Gordon Murray

Country: France
Released: 1991
Genre: Classical
Style: Baroque
Recorded: 1990.
Composer: Henricus Albicastro
Audio CD (March 10, 1998)
SPARS Code: DDD
Label: Harmonia Mundi Fr.

     

Georges de LA TOUR - The Dream of St Joseph

 
     

1. Adagio
2. Allegro
3. Adagio
4. Affettuoso, Vivace, Adagio
5. Allegro

 

1:44
1:43
1:06
5:11
1:37

     

     

Chiara Banchini 1940~

Chiara Banchini is a Swiss violinist, involved the historical performance practice movement. She specializes in the music of the Baroque.

Banchini was born in Lugano, Switzerland. She graduated from the Geneva Conservatory; following this she studied under Sandor Vegh and then at the Royal Conservatory in The Hague under Sigiswald Kuijken for the Baroque violin. She taught at the Centre for Early Music in Geneva and began performing as a soloist.

In 1981, she moved from Geneva to the Schola Cantorum Basiliensis in Basel, where she formed Ensemble 415, a Baroque performance ensemble. The group takes its name from a common Baroque pitch. Recording with Harmonia Mundi, the ensemble's recording of Arcangelo Corelli's Concerti Grossi was a commercial success in 1992, as was their 1996 recording of Antonio Vivaldi's Stabat Mater. She has also recorded with Erato, Virgin Records, Accent, Astreé, and Zig Zag Territories.

She plays a violin made by Nicolò Amati in 1674.


Swiss violinist Chiara Banchini is the co-founder and leader of the period instrument group Ensemble 415, which takes its name from the pitch recommended in old Baroque-era treatises for the note A below middle C: 415 cycles per second.

Banchini was born in Lugano, Switzerland and graduated from the Geneva Conservatory. Afterwards, Banchini studied with violinist Sandor Végh, but in the meantime had developed an interest in Baroque violin techniques and decided to further her studies with Belgian violinist Sigiswald Kuijken at the Royal Conservatory in The Hague. Upon earning her diploma, Banchini accepted a teaching post at the Centre for Early Music in Geneva, and at this time she began to appear on the concert circuit as a solo artist. After Banchini relocated from Geneva to the Schola Cantorum in Basel in 1981, in her own words she "felt the need to fill a vacuum in the Swiss musical vista" and formed Ensemble 415, her period instrument orchestra playing at Baroque pitch, rather than at the modern A of 440 cycles per second. The band attracted an immediate following as a live group, but did not develop an international reputation until it reached an exclusive recording agreement with the French label Harmonia Mundi in 1989. In 1992 Banchini and Ensemble 415 scored a critical and commercial hit with their recording of Arcangelo Corelli's Concerti grossi, Op. 6. Even more popular, and to date the most famous of Ensemble 415's recordings, was the 1996 release of the Stabat Mater of Antonio Vivaldi with guest vocalist Andreas Scholl, who later toured with Ensemble 415 in this work and became a star in his own right.

Banchini has also recorded for the labels Erato, Deutsche Harmonia Mundi, Virgin, Accent, Astreé, and for the Zig Zag Territories label. Banchini plays a Nicola Amati violin, which was handcrafted in Italy in 1674. ~ Uncle Dave Lewis , Rovi

     

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