비발디: 슬픔의 성모 (Stabat Mater 성모애가) - Marie-Nicole Lemieux, alto (2008 Naive)

Stabat Mater 비발디: 슬픔의 성모 (Stabat Mater 성모애가) Vivaldi, Antonio 1878-1741 Ⅰ. Stabat Mater dolorosa (Largo) - 전악장 연주 Marie-Nicole Lemieux (Alto: Contralto)   Album Title: Vivaldi: Nisi Dominus & Stabat Mater Composer: Antonio Vivaldi Conductor: Jean-Christophe Spinosi Performer: Philippe Jaroussky (Counter Tenor)                   Marie-Nicole Lemieux (Contralto) Orchestra: Ensemble Matheus Audio CD (November 30, 2007) SPARS Code: DDD Number of Discs: 1 Recorded in: Stereo Spars Code: n/a Label: Naïve Copyright: (c) 2008 Naive ℗ 2008 Naïve / Opus 111 Period(s): Baroque (1600-1750) Genres: Classical Styles: Vocal Music     11–19. Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621  (18:29)    Common Name   Stabat Mater Hymn For Voice Strings & Continuo    Catalog No.   RV 621    Composer   Antonio Vivaldi (1678 - 1741)    Conductor   Jean-Christophe Spinosi    Performer   Marie-Nicole Lemieux (Alto: Contralto)    Ensemble   Ensemble Matheus    Genre   Baroque Period / Hymn    Date Written   by 1742; Venice, Italy    Period   Baroque    Country   Italy    Venue   Marin Room, Surcouf Hall, Brest, France    Recording Date   07/2007 Ⅰ. Stabat Mater Dolorosa (Largo) Ⅱ. Cujus Animam (Adagio) Ⅲ. O Quam Tristis (Andante) Ⅳ. Quis Est Homo (Largo) Ⅴ. Quis Non Posset (Adagio) Ⅵ. Pro Peccatis Suae Gentis (Andante) Ⅶ. Eja Mater, Fons Amoris (Largo) Ⅷ. Fac Ut Ardeat (Lento) Ⅸ. Amen (Allegro) 3:04 1:50 1:43 3:02 1:49 1:41 3:03 1:29 0:48 Michelangelo's St. Peter's Pietà  Album Review Antonio Vivaldi's probably early Nisi Dominus, RV 608, and Stabat Mater, RV 621, both for solo voice and ensemble, have received several top-notch recordings, so the listener can pick on the basis of voice type and stylistic preference. Countertenor David Daniels has essayed the pair with Fabio Biondi and his Europa Galante ensemble, and you can hear the preternaturally rich contralto Sara Mingardo in a reading with the fiery Italian Baroque specialist Rinaldo Alessandrini. Here you get a countertenor, Philippe Jaroussky, in the Nisi Dominus and a female contralto, Canadian Marie-Nicole Lemieux, in the Stabat Mater. The pairing robs the whole of unity at one level, but makes musical sense; the Nisi Dominus is a more athletic work that benefits from the power of the male voice, while the Stabat Mater, especially in Vivaldi's truncated and highly dramatic setting, may require the audience to identify with a female singer. In the event, Jaroussky is nothing short of sublime in slow sections like the "Cum dederit" (track 4), a masterpiece of quiet tension whose effects are amplified by the extreme, almost respiratory sensitivity of the Ensemble Matheus under director Jean-Christophe Spinosi. Hardly less effective is Lemieux, with an extremely emotional reading in which she seems to mean every word. A bonus on this disc not present on the others is a little Crucifixus from the Credo in G major, RV 592, featuring both singers and well placed in the middle of the program. Superb examples of Baroque vocal art all around, with sound that captures the subtlety and the full dynamic range of the music, which at times gets very hushed indeed. by James Manheim 앨범: 비발디: 스타바트 마테르 스타바트 마테르는 세쿠엔티아의 하나로 비발디는 원시 20절 중, 10절만 작곡하고 있다. 2000년 퀸 엘리자베스 콩쿨 우승자, 마리 니콜 르퀴에는 종교적이며 인간적인 마리아의 모습을 풍부한 감성으로 표현하고 있다. 잘생긴 꾀꼬리 꽃미남 리차드강 어리버리 돈키호테.