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Album Title: The Tudors at Prayer
Composer: John Taverner, William Mundy, Robert White, Thomas Tallis, William Byrd
Conductor: Philip Cave
Choir: Magnificat
Audio CD (May 6, 2014)
Number of Discs: 1
Spars Code: n/a
Format: Hybrid SACD - DSD (Super Audio Hybrid CD)
Live/Studio: Studio Recording
Recording Date January 14, 2013 - January 17, 2013
Label: Linn Records
Copyright: (C) ℗ 2014 Linn Records
Total Length: 1:19:37
Genres: Classical Music, Church Music, Choral, Motet, Renaissance Period, Sacred Music, Song
Styles: Choral
Period: Baroque (1600-1750), Renaissance (1400-1600) | |
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1. Vox Patris caelestis - Track 전곡 연주
Conductor Philip Cave
Choir Magnificat
Period Renaissance
Live/Studio Studio Recording
Recording Date January 14, 2013 - January 17, 2013
Venue St. George's Chesterton, Cambridge, UK | |
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1. Vox Patris caelestis (21:40)
Composer William Mundy (c1529 - 1591)
Lyricist Bible - Old Testament
Genre Renaissance Period / Song
Date Written 16th Century; England
2. Adhaesit pavimento (7:23)
Composer William Mundy (c1529 - 1591)
Lyricist Anonymous
Genre Motet / Renaissance Period / Sacred Music
3. Tota pulchra es (6:48)
Composer Robert White (16th cent.) (c1538 - 1574)
Lyricist Anonymous
Genre Motet / Renaissance Period / Sacred Music
4. Psalm 41, Quemadmodum desiderat cervus, for 6 parts, perhaps for viols (6:33)
Composer John Taverner (c1490 - 1545)
Lyricist Bible - Old Testament
Genre Renaissance Period
5. Adolescentulus sum ego (5:52)
Composer William Mundy (c1529 - 1591)
Lyricist Bible - Old Testament
Genre Renaissance Period / Song
Date Written 16th Century; England
6. Domine, quis habitabit (III) (8:38)
Composer Robert White (16th cent.) (c1538 - November 1574)
Lyricist Bible - Old Testament
Genre Renaissance Period
Date Written 16th Century; England
7. Suscipe, quaeso Domine (9:34)
Catalog No. P 222
Composer Thomas Tallis (c 1505 - 1585)
Lyricist Anonymous
Genre Renaissance Period / Song
Date Written 1575; after 1559; England
8. Tribue, Domine (13:08)
Composer William Byrd (1539/40- - 1623)
Lyricist Anonymous
Genre Motet / Renaissance Period
Date Written by 1575; England
튜더 시대의 라틴어 종교 음악 제 2집
마그니피카트는 튜더 왕가의 라틴 음악(CKD417)에 이은 영국 튜더(엘리자베스) 시대의 라틴어 종교 음악 2집으로 존 태버너(1490-1545), 토마스 탈리스(1505-1585), 윌리엄 먼디, 로버트 화이트(1538-1574), 윌리엄 버드(1540-1623)등 튜더 시대를 대표하는 작곡가들의 걸작들을 담고 있다. 성모마리아 찬가의 전문가로 16세기와 17세기 덜 알려진 합창 걸작품을 복원하고 연주하는 뛰어난 지휘자, 필립 케이브는 아카펠라 음악을 전문으로 하며, 평론가들의 엄청난 갈채를 받은 레코딩을 발매해 세계 최고의 보컬 앙상블 중 하나로 손꼽히는 영국의 보컬 앙상블 마그니피카트와 함께 또 하나의 걸작을 만들었다. | |
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Philip Cave
The Tudors At Prayer brings together eight compositions from mid-sixteenth-century England, a period particularly rich in Latin sacred music, but also a time of vast religious and political upheaval. Although this collection of music spans barely more than a generation - the earliest work was probably composed in the 1530s and the latest in the 1570s - it is hard to imagine the changes that took place in English society (and by extension, English musical culture) during those forty years. | |
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Album Review
The sacred music of the Tudor era in England has enjoyed a certain vogue lately with strong performances by the Sixteen and other groups bringing the repertory beyond enthusiasts of the cathedral style. This one, by the 18-voice British choir Magnificat, has much to recommend it. The choir may be about the same size as the Sixteen, but the restrained, precise quality of Magnificat's singing has a flavor different from that of the Sixteen's recordings. These big motets and antiphons proceed without a lot of dynamic contrast or sensuous phrase-shaping, letting the rather impersonal quality of the music stand on its own and rendering the dissonant stacks that pile up at phrase ends with uncanny clarity. The program is very well chosen. England, as the excellent booklet notes, underwent enormous changes over the roughly 40 years covered by the repertory performed, but the large Latin piece remained a kind of composerly tradition, created even when there was no large official need for one. The program here is devoted entirely to these works, and the listener's ear attunes itself to the differences among them, from the massive Vox patris caelestis of William Mundy to the High Renaissance sounds of Tallis and Byrd at the end of the period. Linn's engineering work in St. George's Chesterton church in Cambridge is exemplary, and this is a release that belongs on any decent shelf or hard drive of English choral music.
by James Manheim | |
 잘생긴 꾀꼬리 꽃미남 리차드강 어리버리 돈키호테.
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