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Rameau: Une Symphonie Imaginaire |
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앨범: 라모의 영감(상상) 교향곡 Jean-Philippe Rameau (1683 - 1764) 1. Ouverture - Track 전곡 연주 |
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Album Title: Rameau: Une Symphonie Imaginaire Composer: Jean-Philippe Rameau (1683 - 1764)
Conductor: Marc Minkowski
Orchestra: Les Musiciens du Louvre - Grenoble Audio LP (January 1. 2005)
SPARS Code: DDD
Number of Discs: 1
Format: Vinyl, LP, Album, Reissue, Special Edition, 180 gram
Country: Europe
Mono/Stereo: Stereo
Label: Archiv Produktion (DG Archiv)
Copyright: (c) ℗ 2005 Deutsche Grammophon GmbH, Berlin
Duration 56:25
Genre: Orchestral, Symphonic Music, Western Classical Music, Symphony, Classical, Ballet, Baroque Period, Opera, Music
Style: Baroque
Composer Jean-Philippe Rameau (1683 - 1764)
Conductor Marc Minkowski
Orchestra Les Musiciens du Louvre - Grenoble
Period Baroque
Country France
Recording Live
Format DDD Stereo
Venue Live Salle Molière, Théâtre de Poissy, France
Recording Date 06/2003
상상으로 만들어진 교향곡
“오페라적 교향곡의 작곡가로서 라모를 따를 자가 없다” - 미셸-기 드 샤바농, 《라모 예찬》 상상의 교향곡이란, 말 그대로 민코프스키가 라모의 오페라에서 따 온 관현악 작품들로 구성한 상상 속의 교향곡이다.
이 프로그램은 극적인 구성과 즐거움을 잘 조화시킨 것으로 평가 받는다. [라모의 상상 교향곡] 교향곡을 남기지 않았던 관현악 천재 작곡가 장필리프 라모를 위해 프랑스 바로크음악 거장 마코 민코프스키가 라모의 11개 오페라 관현악 작품들을 통해 새롭게 구성했다.
구조적이고 건축적인 독일 바로크 음악보다 친근하며 회화적인 매력이 더 해진 [라모의 상상 교향곡], 시작은 라모의 전원극 오페라 《자이스》의 아찔한 서곡으로, 세상의 기원을 묘사하는 짧은 전원시이다. 그리고는 다양한 작품에서 발췌한 여러 춤곡, 간주곡, 디베르티스망(divertissement) 등으로 그 뒤를 이었다. 《카스토르와 폴뤽스》의 비통한 '장례식 풍경'과 《레 보레아드》 5막의 거의 스트라빈스키 풍의 도입부 (두 경우 모두 단순하게 성악 부분만 제했다), 그리고 이미 《6개의 6중주 협주곡》에서 편곡했던 하프시코드 곡 《암탉》을 관현악으로 새롭게 편곡하여 더했다.
프랑스 작곡가 라모의 오페라 및 극작품 모음집 Track List 1. 자이스 중 서곡
2. 카스토르 폴뤽스 중 장례식 장면
3. 에베의 축제 중 부드러운 공기
4. 다르다뉘 중 두개의 탐부랭
5. 영예의 전당 중 부드러운 공기는 정체를
6. 보레아드 중 카드리유춤 (Dance)
7. 오시리스의 탄생 중 우아한 노래
8. 보레아드 중 두개의 가보트
9. 플라테 중 폭풍우
10. 보레아드 중 전주곡
11. 협주곡 제6번: 6중주곡 중 암탉
12. 에베의 축제 중 뮤제트 (프랑스의 백파이프)
13. 이폴리트와 아리시 중 리토르넬로(17세기 오페라의 간주곡)
14. 나이스 중 리고동 (무용곡)
15. 우아한 인도 중 야생의 춤
16. 보레아드 중 전설 속으로
17. 우아한 인도 중 샤콘느
"Zaïs", pastorale héroïque, 1748
01. Ouverture qui peint le debrouillement de Cahos et le choc des Elemens lorsqu'ils sont séparés (5:47)
Common Name Ouverture Qui Peint Le Debrouillement De Cahos Et Le Choc Des Elemens Lors, Nais Pastorale Heroique
Sung Text Louis de Cahusac (1706-1759)
Genre Ballet / Baroque Period / Opera
Date Written 1748 "Castor et Pollux", (RCT 32) Tragédie en musique, 1737
02. Scène funèbre (Acte II. Scène 2) (3:25)
Common Name Castor Et Pollux Tragedie En Musique
Sung Text Pierre Joseph Justin Bernard (1708-1775)
Genre Baroque Period / Opera
Date Written 1737; Paris, France "Les Fêtes d'Hébé", Opéra-ballet, 1739
03. Air tendre (Deuxième Entrée: La Musique, scène 5) (1:53)
Common Name Les Fetes D'hebe Ou Les Talents Lyriques Ballet Heroique
Sung Text Antoine Gautier de Montdorge (1701-1768)
Genre Ballet / Baroque Period
Date Written 1739; Paris, France "Dardanus", Tragédie en musique, 1739
04. Tambourins I & II (Prologue) (1:51)
Common Name Prologue Tambourins 1 & 2, Dardanus
Sung Text Charles-Antoine Le Clerc de La Bruere (1714-1754)
Genre Baroque Period / Opera
Date Written 1739-1744; France "Le Temple de la Gloire", Opéra-ballet, 1745
05. Air tendre pour les Muses (Acte I) (4:24)
Common Name Acte 1. Air Tendre Pour Les Muses
Sung Text Voltaire (1694-1778)
Genre Baroque Period / Opera
Date Written 1745; France "Les Boréades", Tragédie en musique, 1763
06. Contredanse en Rondeau (Acte I, scène 4) (3:05)
Common Name Les Boreades Abaris Tragedie En Musique
Sung Text Louis de Cahusac (1706-1759)
Genre Baroque Period / Opera
Date Written by 1763; France "La Naissance d'Osiris", Acte de ballet, 1754
07. Air gracieux (2:19)
Common Name Air Gracieux, La Naissance D'osiris Ou La Fete Pamilie Acte De Ballet
Conductor Marc Minkowski
Genre Ballet / Baroque Period
Date Written 1754; France "Les Boréades"
08. Gavottes I & II pour les Heures et les Zéphirs (Acte IV, scène 4) (2:43)
Common Name Les Boreades Abaris Tragedie En Musique
Sung Text Louis de Cahusac (1706-1759)
Genre Baroque Period / Opera
Date Written by 1763-1764; France "Platée", Ballet bouffon, 1745
09. Orage (Acte I. Scène 6) (2:31)
Common Name Platee Ou Junon Jalouse Opera
Sung Text Adrien-Joseph Le Valois d'Orville (1715-1780)
Jacques Autreau (1657-1745), Original Text
Genre Baroque Period / Opera
Date Written 1745; France "Les Boréades"
10. Prélude (Acte V. Scène 1) (1:18)
Common Name Les Boreades Abaris Tragedie En Musique
Sung Text Louis de Cahusac (1706-1759)
Genre Baroque Period / Opera
Date Written by 1763-1764; France Concert N° 6 from "Six Concerts en sextuor"
(anonymous Transcription from Nouvelles suites de pièces de clavecin, 1768)
11. La Poule (The Hen, Die Henne) (4:30)
Genre Baroque Period
Date Written circa 1729-1730; France
Notes Arranger: Anonymous. "Les Fêtes d'Hébé"
12. Musette en Rondeau (Danse de Terpsichore) - Tambourin en Rondeau (Troisième Entrée: La Danse) (3:21)
Common Name Les Fetes D'hebe Ou Les Talents Lyriques Ballet Heroique
Sung Text Antoine Gautier de Montdorge (1701-1768)
Genre Ballet / Baroque Period
Date Written 1739; Paris, France "Hippolyte et Aricie", Tragédie en musique, 1733 (version de 1742)
13. Ritournelle (Acte III) (2:08)
Common Name Acte 3. Ritournelle, Hippolyte Et Aricie Tragedie Lyrique
Sung Text Simon Joseph de Pellegrin (1663-1745)
Genre Baroque Period / Opera
Date Written 1733; France "Naïs", Pastorale héroïque, 1749
14. Rigaudons I & II (Prologue: L'Accord des dieux) (2:22)
Common Name Prologue L'accord Des Dieux Rigaudons 1 & 2, Nais
Sung Text Louis de Cahusac (1706-1759)
Genre Baroque Period
Date Written 1749; France "Les Indes galantes", Opéra-ballet, 1735/1736
15. Danse des Sauvages. Rondeau (Quatrième Entrée: Les Sauvages) (2:18)
Common Name Quatrieme Entree Les Sauvages Danse Des Sauvages Rondeau, Les Indes Galantes Opera Ballet
Sung Text Louis Fuzelier
Genre Ballet / Baroque Period
Date Written 1735/1761; France "Les Boréades"
16. Entrée de Polymnie (Acte IV. Scène 4) (6:05)
Common Name Les Boreades Abaris Tragedie En Musique
Sung Text Louis de Cahusac (1706-1759)
Genre Baroque Period / Opera
Date Written by 1763-1764; France "Les Indes galantes"
17. Chaconne (Quatrième Entrée: Les Sauvages) (6:16)
Common Name Les Indes Galantes Opera Ballet
Sung Text Louis Fuzelier
Genre Ballet / Baroque Period
Date Written 1735/1761; France
Album Review French Baroque composer Jean-Philippe Rameau left behind an extraordinary wealth of orchestral music, but little to none of it is of the stand-alone variety, scattered as it is throughout his 18 operas and 13 ballets left to posterity, in whole or in part. Conductor Marc Minkowski has elected to redress the imbalance by compiling 17 of Rameau's best orchestral moments into Une Symphonie Imaginaire, an "imaginary symphony" performed by period instrument ensemble Les Musiciens du Louvre and issued on compact discs by Archiv Produktion. This type of montage of related bits and pieces from various scores morphed, if you will, into a single work is a time-honored tradition, particularly as it relates to Baroque music; for example, Sir John Barbirolli's Suite for wind & strings arranged from bits and pieces of Henry Purcell or Sir Hamilton Harty's arrangements from Handel. Yet Une Symphonie Imaginaire is a world away from the Baroque boom of the 1930s. The sequence of pieces here, drawn from the operas Zaïs, Les Fêtes d'Hébe, Dardanus, Le Temple de la Gloire, Les Boréades, and Hippolyte & Aricie; the ballets La Naissance d'Osiris and Platée; and a contemporary arrangement of the Rameau's keyboard piece La Poule, is mainly intended for this album and not for use in concert. Minkowski does not attempt to assert that his "symphony" drawn from Rameau's music is anything that the composer himself may have devised -- in Rameau's time, the symphony itself was a mere baby, little more than a fancy name for an opera overture. Much of Rameau's music is eccentric and utilizes revolutionary techniques for this era, particularly in fracturing individual lines within the orchestra in order to provide a fragmented, disjunctive quality to the texture. The "Prelude to Act V" of Les Boréades sounds almost like a Baroque overture as reorganized by John Cage. The anonymous arrangement of La Poule is an outstanding character piece and quite unusual for any orchestral music of the mid-eighteenth century. Overall, Une Symphonie Imaginaire is splendidly well played and sequenced in a fast-moving order, although music-by-the-yard fanatics may find the 56-minute running time too stingy. This Hybrid CD version is to be preferred over the standard CD release, as the latter suffers from an intermittent high end, whereas the Hybrid CD accurately represents this superb Archiv recording for what it is with no dropouts or other sonic anomalies. - Uncle Dave Lewis
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Marc Minkowski
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Jean-Philippe Rameau’s musical output consists mainly of works for keyboard and the stage. This is a pity for music lovers who do not cozy to either genre—his opera-ballets (or tragedies lyrique, or pastorales héroique, as they’re sometimes known) are amazing works—rich, rhythmically varied, and orchestrated with such flavor, color, and originality that they’re irresistible. Just as Lully’s stage works were appreciated for their elegance and once-removed stature, Rameau’s stir the feelings. The Lullyists thought his music “noisy”; what they were hearing was originality and music that tingled the senses. Realizing the pity that Rameau never composed purely symphonic music, conductor Marc Minkowski has come to the rescue: This CD contains 17 excerpts from the composer’s operas (actually 16, with one anonymous orchestration of a keyboard suite), most presented as composed, a couple with their vocal parts removed. French Baroque music is odder than German or Italian and less frequently played; part of the explanation may lie, in Rameau’s case, in the seemingly capricious manner in which he’ll toss in a chromatic line or introduce a suspension that disturbs momentarily. But his master plans are always right, and the variety keeps the listener fascinated. The performances are splendid. - Robert Levine [12/2011] |
 잘생긴 꾀꼬리 꽃미남 리차드강 어리버리 돈키호테.
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