앨범: 아버지와 아들이 함께 부르는 독일가곡 - Christoph and Julian Pregardien, tenor (2014 Challenge Classics)

Father and Son 앨범: 아버지와 아들이 함께 부르는 독일가곡 Christoph & Julian Prégardien (Tenor) 01. Frisch gesungen - Track 전곡 연주   Album Title: Father and Son Composer: Cesar Bresgen, Johannes Brahms, Robert Schumann, Friedrich Silcher, Franz Schubert, Hermann Zilcher Lyricist: Adelbert von Chamisso, Simon Dach, Volkslied, Heinrich Heine, Johann Wolfgang von Goethe, Johann Gaudenz Freiherr von Salis-Seewis, Friedrich Adolf Krummacher, Karl Gottlieb Lappe, Karl Gottfried Ritter von Leitner, Friedrich Leopold Graf zu Stolberg-Stolberg, Matthäus Casimir von Collin, Johann Gabriel Seidl, Friedrich Spee von Lagenfeld, Ewald Christian von Kleist,  Johann Gottfried Herder, Martin Luther, Johann Wilhelm Hey, Joseph Freiherr von Eichendorff Arranger: Michael Gees Performer: Christoph Prégardien (tenor)                    Julian Prégardien (tenor)                    Michael Gees (piano)                    Fabienne Waga (harmonica)                    Patricia Messner (harmonica) Audio CD (21. November 2014) Number of Disc: 1 Format: Hybrid SACD, Audio CD Spars Code: DDD Recorded in: Stereo Label: Challenge Classicss (in-akustik) Copyright: (C) ℗ 2014 Challenge Classics Total Length: 1:13:51 Genres: Classical, Music, Vocal/Choral, Songs Read Song Book - Download Booklet PDF 앨범 소개    Performer   Julian Prégardien (Tenor)                      Christoph Prégardien (Tenor)                      Michael Gees (piano)    Recording Date   04/21/2014-04/24/2014    Venue   Evangelisch-Lutherse kerk, Haarlem, Netherlands 오랜 세월에 걸쳐 많은 뛰어난 녹음을 남긴 테너 크리스토프 프레가르디엥이 경력의 거의 막바지에 이르러 역시 테너로 성장한 아들과 함께 음반을 녹음했다. 여기 실린 가곡들은 프레가르디엥 부자 등 여러 사람들이 작업한 편곡들이며, 그 결과는 두 사람의 노래 자체만큼이나 흥미롭다. <수록곡> 질허, 슈베르트, 슈만, 브람스, 칠허의 작품들 Track List 프리드리히 질허 Friedrich Silcher (1789 - 1860) 1. 모임에서 자주 만나는 사람 2. 타라우의 안나 (타라우에서 온 앵헨) 3. 로렐라이 4. 나도 모르겠네, 그것이 무엇을 뜻하는지. 슈베르트 Franz Schubert (Vienna) (1797 - 1828) 5. 마왕 6. 방랑객의 밤 노래 (모든 언덕 너머의 고요) 7. 노래: 3. 동그랗게 모여 춤을 추는 (윤무곡) 8. 노래: 4. 밤 9. 황혼녘에 10. 어부의 행복한 사랑 11. 물 위에서 노래함 12. 난장이 13. 바다의 침묵 14. 모순 15. 빛과 사랑 (밤의 노래): 사랑은 달콤한 빛이다. 16. 밤과 꿈 헤르만 질허 Hermann Zilcher (1881 - 1948) 17. 봄 노래 18. 주정뱅이의 운 19. 우리의 인생은 꿈 20. 산봉우리마다 고요하고 21. 조언 (좋은 충고) 브람스 (독일 민요) Johannes Brahms (1833 - 1897) 22. 태양은 더이상 빛나지 않네 23. 적막한 밤에 24. 허락해 주오, 어여쁜 아가씨. 25. 골짜기 아래로 26. 슈만 Robert Schumann (1810 - 1856) : 가곡과 노래: 어두움 (밤) 27. 독일 민요 (German Folksong) : 별이 얼마나 많은지 아니? 28. 세자르 브레겐 Cesar Bresgen (1913 - 1988) : 아, 그대의 조용한 시간 01. Frisch gesungen, for vocal quartet  (2:15)    Composer   Friedrich Silcher (1789 - 1860)    Lyricist   Adelbert von Chamisso (1781 - 1838)    Performer   Julian Prégardien (Tenor)                      Christoph Prégardien (Tenor)                      Michael Gees (piano)    Genre   Romantic Period    Period   Romantic 02. Ännchen von Tharau  (1:51)    Composer   Friedrich Silcher (1789 - 1860)    Lyricist   Simon Dach (1605 - 1659)    Genre   Romantic Period    Date Written   1825; Germany    Period   Romantic 03. O wie herbe ist das Scheiden  (2:09)    Composer   Friedrich Silcher (1789 - 1860)    Lyricist   Volkslied    Genre   Romantic Period    Period   Romantic 04. Loreley, Op. 31, No. 8 "Ich weiss nicht, was soll es bedeuten"  (2:15)    Common Name   Loreley    Composer   Friedrich Silcher (1789 - 1860)    Lyricist   Heinrich Heine (1797 - 1856)    Genre   Romantic Period    Date Written   1837; Germany    Period   Romantic 05. Der Erlkönig, D. 328  (4:24)    Common Name   Erlkonig For Voice & Piano    Catalog No.   D 328    Composer   Franz Schubert (Vienna) (1797 - 1828)    Lyricist   Johann Wolfgang von Goethe (1749 - 1832)    Genre   Art Song / Romantic Period / Song    Date Written   1815; Vienna, Austria    Period   Romantic 06. Wanderers Nachtlied II 'Über allen Gipfeln ist Ruh', D. 768/Op. 96, No. 3  (2:10)    Common Name   Uber Allen Gipfeln Ist Ruh, Wandrers Nachtlied For Voice & Piano    Catalog No.   D 768    Composer   Franz Schubert (Vienna) (1797 - 1828)    Lyricist   Johann Wolfgang von Goethe (1749 - 1832)    Genre   Art Song / Romantic Period    Date Written   1823-1824; Vienna, Austria    Period   Romantic    Country   Austria 07. Gesange (4), D. 983b/Op. 17, No. 3, Zum Rundtanz  (1:56)    Common Name   Auf! Es Dunkelt    Catalog No.   D 983B    Composer   Franz Schubert (Vienna) (1797 - 1828)    Lyricist   Johann Gaudenz Freiherr von Salis-Seewis (1762 - 1834)    Genre   Quartet / Romantic Period / Song    Date Written   ?1822; Vienna, Austria    Period   Romantic 08. Gesange (4), D. 983c/Op. 17, No. 4, Die Nacht  (2:36)    Common Name   Wie Schon Bist Du    Catalog No.   D 983C    Composer   Franz Schubert (Vienna) (1797 - 1828)    Lyricist   Friedrich Adolf Krummacher (1767 - 1845)    Genre   Quartet / Romantic Period    Date Written   ?1822; Vienna, Austria    Period   Romantic    Note   Composition written: ?1822. Composition revised: Germany. 09. Im Abendrot, D. 799  (3:13)    Catalog No.   D 799    Composer   Franz Schubert (Vienna) (1797 - 1828)    Lyricist   Karl Gottlieb Lappe (1773 - 1843)    Genre   Art Song / Romantic Period    Date Written   ?1824-1825; Vienna, Austria    Period   Romantic    Country   Austria 10. Des Fischers Liebesglück, D. 933  (4:10)    Catalog No.   D 933    Composer   Franz Schubert (Vienna) (1797 - 1828)    Lyricist   Karl Gottfried Ritter von Leitner (1800 - 1890)    Genre   Art Song / Romantic Period / Song    Date Written   11/1827; Vienna, Austria    Period   Romantic 11. Auf dem Wasser zu singen, D. 774/Op. 72  (3:21)    Catalog No.   D 774    Composer   Franz Schubert (Vienna) (1797 - 1828)    Lyricist   Friedrich Leopold Graf zu Stolberg-Stolberg (1750 - 1819)    Genre   Romantic Period / Song    Date Written   1823; Vienna, Austria    Period   Romantic    Note   Composition written: 1823. Composition revised: Germany. 12. Der Zwerg, D. 771/Op. 22,  No. 1  (4:57)    Catalog No.   D 771    Composer   Franz Schubert (Vienna) (1797 - 1828)    Lyricist   Matthäus Casimir von Collin (1779 - 1824)    Genre   Romantic Period / Song    Date Written   ?1822-1823; Vienna, Austria    Period   Romantic    Note   Composition written: ?1823. Composition revised: Germany. 13. Meeres Stille, D. 216/Op. 3, No. 2  (2:28)    Catalog No.   D 216    Composer   Franz Schubert (Vienna) (1797 - 1828)    Lyricist   Johann Wolfgang von Goethe (1749 - 1832)    Genre   Romantic Period / Song    Date Written   06/1815; Vienna, Austria    Period   Romantic    Note   Composition written: 06/1815. Composition revised: Germany. 14. Widerspruch, D. 865a/Op. 105, No. 1  (2:18)    Catalog No.   D 865    Composer   Franz Schubert (Vienna) (1797 - 1828)    Lyricist   Johann Gabriel Seidl (1804 - 1875)    Genre   Quartet / Romantic Period    Date Written   ?1826; Vienna, Austria    Period   Romantic 15. Licht und Liebe ("Liebe ist ein süsses Licht"), song for voice & piano (Nachtgesang), D. 352  (3:43)    Catalog No.   D 352    Composer   Franz Schubert (Vienna) (1797 - 1828)    Lyricist   Matthäus Casimir von Collin (1779 - 1824)    Genre   Art Song / Romantic Period / Song    Date Written   ?1816    Period   Romantic 16. Nacht und Träume, D. 827  (3:37)    Catalog No.   D 827    Composer   Franz Schubert (Vienna) (1797 - 1828)    Lyricist   Matthäus Casimir von Collin (1779 - 1824)    Date Written   ?1823-1825; Vienna, Austria    Period   Romantic    Notes   Composition written: ?1825. Composition revised: Germany. 17-21. Fünf Duette für zwei Singstimmen und zwei Mundharmonikas (Duets (5) for 2 voices & 2 harmonicas) in C major, Op. 109  (12:54)    Composer   Hermann Zilcher (1881 - 1948)    Lyricist   Friedrich Spee von Lagenfeld (1591 - 1635)-17                  Ewald Christian von Kleist (1715 - 1759)-18                  Johann Gottfried Herder (1744 - 1803)-19                  Johann Wolfgang von Goethe (1749 - 1832)-20                  Martin Luther (1483 - 1546)-21    Performer   Patricia Messner (Harmonica)                      Fabienne Waga (Harmonica)    Period: Modern 17. Frühlingsstrophe  (02:00) 18. Der betrunkene Sternseher  (03:49) 19. Ein Traum ist unser Leben  (04:05) 20. Über allen Gipfeln ist Ruh  (03:38) 21. Guter Rat  (01:20) 22. Deutsche Volkslieder (49), song for voice & piano, WoO 33: No. 5, Die Sonne scheint nicht mehr  (01:34)    Catalog No.   WOO 33    Composer   Johannes Brahms (1833 - 1897)    Lyricist   Volkslied    Genre   Art Song / Romantic Period / Song    Date Written   1893-1894; Germany    Period   Romantic    Country   Austria 23. Deutsche Volkslieder (49) for Chorus, WoO 34: No. 8, In stiller Nacht, zur ersten Wacht  (02:19)    Catalog No.   WOO 34    Composer   Johannes Brahms (1833 - 1897)    Lyricist   Friedrich Spee von Lagenfeld (1591 - 1635)    Genre   Romantic Period / Song    Date Written   1854-1873; Austria    Period   Romantic 24. Deutsche Volkslieder (20), WoO 38: No. 4, Erlaube mir, feins Mädchen  (01:11)    Catalog No.   WOO 38    Composer   Johannes Brahms (1833 - 1897)    Lyricist   Volkslied    Genre   Art Song / Romantic Period / Song    Date Written   1894    Period   Romantic 25. Deutsche Volkslieder (26), WoO 35: No. 19, Da unten im Tale  (01:47)    Catalog No.   WOO 35    Composer   Johannes Brahms (1833 - 1897)    Lyricist   Volkslied    Genre   Romantic Period / Song    Date Written   1854-1873    Period   Romantic 26. Lieder und Gesange IV (5), Wandrers Nachtlied - Ein Gleiches ("Über allen Gipfeln ist Ruh"), song for voice & piano, Op. 96: No.1, Nachtlied  (02:11)    Common Name   Uber Allen Gipfeln Ist Ruh, Nachtlied For Voice & Piano    Composer   Robert Schumann (1810 - 1856)    Lyricist   Johann Wolfgang von Goethe (1749 - 1832)    Genre   Art Song / Romantic Period / Song    Date Written   1850; Germany    Period   Romantic    Country   Germany 27. Weißt du, Wieviel Sternlein Stehen?, folk song setting for women's chorus (German Folksong)  (01:56)    Composer   Anonymous / German Traditional / Helmut Barbe    Lyricist   Johann Wilhelm Hey (1789 - 1854)    Genre   Classical Period / Lullaby    Period   Classical 28. O du stille Zeit  (02:41)    Composer   Cesar Bresgen (1913 - 1988)    Lyricist   Joseph Freiherr von Eichendorff (1788 - 1857)    Period   Modern About the album The conditions under which Schubert’s art of the song developed into a kaleidoscopically incandescent spectrum that crossed over genres and the institutionally set, historical boundaries disappear today as a rule under the pedestal that the late nineteenth century began to erect for the composer. The traces of improvisational practice were increasingly lost within a music culture that stylised the printed manuscript into a quasi sacred object. A particularly successful way of leading back to a fundamental impetus in Schubert’s art of the song is through an approach towards the songs that takes the moment of spontaneous performance seriously as a communicative act, without denying the work character of Schubert’s music. The idea of ‘one’ universal human voice seems to materialise with particular intensity in the commingling of two voices of similar timbre, which can permanently interchange and double their identity. Based on our knowledge for instance of the Schubertiade reminiscences of 1868, remembered and noted down by Moritz von Schwind, can we not imagine that the ‘Schubert singers’ Johann Michael Vogl and Karl von Schönstein might indeed have sung alternately (or even in unison)? Christoph Prégardien: When a second part suddenly crops up in a Schubert song, many people say of course: are we allowed to do this to Schubert? Even I had to be persuaded at first to consider the improvisational element, however, our approach to adopting it didn’t happen arbitrarily, but in the context of our awareness of music-making in past centuries. Michael Gees: You can formulate reasons that aren’t based on historical knowledge but ensue from the music itself. "Nacht und Träume” (Night and Dreams), for example – you listen to this music, you hear that it bears a potential within: the potential of starting out from the rather simple structure and being able to ramify practically into endlessness. This opens up spaces in which you can go on fantasising without bounds. In this context our versions are not actually “contrived”, but formed by “eavesdropping” on the music itself to a certain degree. If I hear it, I hear something like another “I”, another self, a corresponding multi-voice being.  Julian Prégardien:  In our arrangements we first and foremost wanted an encounter with the prodigious complexity of Schubert’s oeuvre in lied and to show that boundaries overlap! Schubert composed the song “Widerspruch” (Contradiction) in two versions in any case – namely the solo version and as an ensemble lied – and we are now in a way adding a third. With “Licht und Liebe” (Light and Love) we have also included an original composition for two voices, as well as dramatic ballads, convivial vocal ensembles and elegiacally meditative solo songs which we have “heard” anew and arranged in various ways. 잘생긴 꾀꼬리 꽃미남 리차드강 어리버리 돈키호테.